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From London to Ontario, and finally Vancouver, singer-songwriter and recording artist Alison Solo releases her highly anticipated sophomore album entitled 'Plutonian.' After the release of her debut album 'Sakaita,' Alison Solo returned to England to write and create her sophomore record, 'Plutonian.' The project is said to be a unique hybrid of blues and classic rock with elements of psychedelia and grunge. In terms of its concept and theme, Solo mentioned that she hopes to keep the art of storytelling alive in songwriting as she communicates her life experiences through personification and fictional tales. Diving into the album, we're met with the introductory track, "American Dream," which opens the project on a sweet note with a warm acoustic guitar and Alison Solo's rich and raw vocals. Solo later tells a tale of a family who doesn't seem to be finally stable while chasing the classic American dream. As the instrumentals begin to broaden around the song's halfway point, Alison Solo and her energetic performance blast through our speakers while leaving us with a soulful and hearty southern twang to tap our feet to. Blasting into track number two with "Chiron," the wounded healer in astrology, the track opens with a bright and bold instrumental that sets the song's energetic and punchy tone. As Alison Solo goes into detail surrounding why she can't love someone while living inside her mind, the song begins to pick up in energy and might with an overall irresistible blues approach that leaves us banging our heads to each beat. Not to mention the intoxicating powerhouse vocals that Solo has to offer, she truly leaves us shaking in our boots with each powerful belt. Moving onto track number three, "Glass Window," this song opens on a more haunting and grungy note with a saddened acoustic guitar melody and Alison Solo's mysterious vocal portrayal. As she begins elaborating on what her lover would do if she was made of stone, the instrumentals start to expand with this powerhouse grunge feel that takes us back to the early 90s. We love the ominous and eerie feel of this heavy track, as it plays a perfect role within the entire conceptual album. As Alison Solo makes her way to the song's end, she leaves us with an inner sense of secrecy and obscurity. Reaching the fourth track, "Beautiful and Old," we're met with a psychedelic keyboard melody that opens the song with a bright and cheerful tone. As Alison Solo makes her way in, her raw and passionate vocals begin to elaborate on how humans manage to get so beautiful and old at the same time. We can feel a sense of nostalgia strike our ears with Solo's lyricism while sinking us into a deep state of reflection. We love the song's mid-tempo and supportive instrumentals, as they perfectly back up Alison Solo's soulful performance. Landing on the album's halfway point with "Interlude: What You Hide Can Hurt You," this song offers an upbeat and blazing interlude similar to Rush's "YYZ," yet with a more southern twang and an undeniable bluesy feel. We love the impeccable transitions within the blazing instrumentals alongside Alison Solo's haunting background vocals, as it makes for a perfect halfway experience to keep us locked in and engaged. Upping the soul with the sixth track, "Sister Rosetta Tharpe," the track kicks off with Alison Solo's soulful and gritty vocal stylings that bring us deep into the song's heavy and punchy atmosphere. As she continues her powerful performance, the instrumentals perfectly back her up with their intricate drum breaks and a chilling organ to break the ground beneath our feet. We adore the haunting feel of this track, as it leaves us swaying to Alison Solo's ghostly vocals while fueling our spirits with energy through each in-depth transition. Onto track number seven, "Vanishing Twin Syndrome," the song takes off with Alison Solo's chilling vocal stylings that sing of the fires that burn the earth and how every man is for himself during these primitive times. As the psychedelic electric guitar begins pouring through our speakers with incredible emotion and heart, Alison Solo continues her alluring performance while serenading us with incredible soul and power. Although this track is just over a minute in length, it truly takes a toll on us with each conceptual lyric and haunting melody. Plowing our speakers with the next track, "Last One Standing," this song takes us through an exhilarating and feel-good instrumental atmosphere right off the bat. As soon as Alison Solo makes her way in, she begins to enlighten us on how she needs a higher vibration to live her life the way she attends. As she moves us into the hook, the instrumentals explode with nothing but energy and might while Alison Solo maintains her charismatic and passionate performance. As the track comes to an end, Alison Solo leaves us feeling refreshed and ready to reach the stars. Ending the album's listening experience with the final and outro track, "Old English," this song opens on more of a downtempo and bluesy note with a sole acoustic guitar and Alison Solo's haunting vocal portrayal. As she begins to dive into the song's lyrical theme, she elaborates on turning to God in silence and turning to drugs out loud. We love the introspection that Alison Solo sings with, not only throughout this piece but the entire album. As Alison Solo's warm and beaming harmonies take us to the song's outro, we're left parting ways with an album that truly took its toll on us. Don't miss out on the dynamic listening experience of Alison Solo's sophomore album, 'Plutonian,' now available on vinyl and Bandcamp. Welcome to BuzzMusic, Alison Solo, and congratulations on releasing your anticipated sophomore album, 'Plutonian.' When did you begin writing lyrics and executing ideas for this project? How long was the album in the making? Thank you! The lyrics are typically the final pieces to the puzzle. I don't generally write them until the instrumentation, and the vocal melodies are complete. Upon completion, I plug them in. Because there was such a long gap - an entire decade - between the release of Plutonian and my debut album "Sakata," I sort of had ideas sprinkled all over the place throughout the years. I didn't know that these ideas were leading up to this record until I returned to live in England for a year and finally decided to record a new record. For instance, my song "Glass Window" was written a year or two after I released 'Sakaita.' The music for Vanishing Twin Syndrome was also written around that time. I didn't write the vocal melodies or lyrics for that song until years later, though, when I was living in England and in the process of recording it. Sister Rosetta Tharpe was initially called "Back-Up" Girl, and I wrote the verses and the chorus about several years ago, with makeshift lyrics, although most of what I had written stayed. It wasn't until I was in England that I finished writing it. Chiron was written right before I left Toronto to move to England, and Beautiful And Old were written a year before. I referenced a lot of ideas that I already had recorded on my eight-track. So in a way, you could say that the album has been in the making for a decade, unwittingly, though. I have a barrel of songs that didn't cut this album, so perhaps you'll hear them on my next release, which I anticipate soon. What inspired you to write about the many topics and themes within the album 'Plutonian?' My life and my experiences are always the primary motivation behind all of my songs. I've had a pretty exciting life, and so it has lent itself to my songwriting. The themes and the topics woven within the tapestry of Plutonian are a part of my life. I have been interested in Astrology for quite some time, and that interest only deepened when I returned to England. I learned quite a lot about it, and whether I take it to heart or not, I find it interesting nonetheless. The theme of transformation is inextricably linked to the astrological proponent, and within that, my shifts and patterns of symbolic deaths and rebirths. It's like I'm constantly reborn. The constant in my life is change. Additionally, I like to talk about the pink elephants in the room or delve into the aspects of life that can quickly get repressed and covered up with all the glitter and gold. There is a passionate punk rock/activist person that lives inside me. Part of that sometimes requires bringing some ugly truths to the surface. I won't go into too much detail because I like to let people think for themselves instead of giving too much away, but some of the topics are pretty palpable. For example, I wrote the song American Dream as a hyperbolic story. It's dark, but it's a truth that needs to be addressed, so I communicated it through fiction. A vast majority of people live in poverty, and poverty activates the fight or flight mode within us, making us act differently than, say, if we are living comfortably and having all of our needs met. I've always had a roof over my head, thankfully, but I have experienced what it's like to be short for rent or to have enough money for food barely. I know what it's like to feel like the system has failed you. And I consider myself lucky. This stuff needs to be talked about. I read Ayn Rand's "Atlas Shrugged" when I did a lot of the lyric writing for this album. It planted some thoughts into my head that manifested into some of the songs. Particularly "Last One Standing." Which track off 'Plutonian' is your personal favorite? Could you elaborate on why this track stands out to you? My favorite track on the album is Sister Rosetta Tharpe. For me, it's the show stopper. It stands out to me for a barrage of reasons. When I hear it, I envision the entire live production. I love the gospel undertone it has; it's intense, emotional, and uplifting all at the same time. I feel proud of it, from the instrumentation/musicianship to the songwriting, the sound, the production, and the depth of the subject matter. It was constructed painstakingly, although it wrote itself in the sense that it came naturally. Everyone involved did such a phenomenal job interpreting it. I hold it close to my heart because it has a special meaning to me. A part of it was written to bring attention to the true pioneer of rock 'n roll, Sister Rosetta Tharpe, and it is a great travesty that, for the most part, she has remained unheralded for her profound influence in the world of rock. The other part of it was written through my lens, and what it's like to feel like you've lost your voice and seem to fade into the background and never get the recognition or acknowledgment that you want or that you think you deserve. This song is really about allowing yourself to be heard and never dim your light to make others comfortable. What did you want your listeners to feel and take away after listening to 'Plutonian?' I just wanted my listeners to feel like they had traveled in a time capsule into when music sounded less manufactured. I wanted to create an entire album, odyssey, and for the listeners to sit back and enjoy the experience. But I didn't want it to be taken in in one shot. It's an intense album. I wanted to create something new, fresh, and timeless, whereby it can't be pinned down to a specific genre or period and can be listened to repeatedly, with something new to be discovered each time. I experienced profound healing while making this album, and I want the audience to feel the same on some level. To summarize, I wanted the listeners to feel like the music was tugging away at something beneath the surface and reignite something that has been lost to them and music. I want them to experience joy. How does this album contrast your debut record 'Sakaita?' What differences do you deliver this time around with 'Plutonian?' 'Sakaita' was inspired by a much darker period of my life. I often refer to 'Sakaita' as the "shadow" of Plutonian. The album was very well produced and clean. I wrote all the songs on that album. However, I didn't make it. Plutonian was the first album I have ever produced, so I felt an extra level of gratification upon the release of the record. Not only did I play all the guitars this time around, but I played the bass on it as well (though I didn't write all the bass lines). I got to have full agency over everything. This album is really as raw as it gets. Not just sonically, but on a level of vulnerability. It's honest. It isn't "perfect," but it's a true expression of me. I think the maturity shines on Plutonian, whereas 'Sakaita' was more infantile. 'Sakaita' was darker and sounded like a relic of the 90s. I still love that era; most of my favorite bands are from that era. It's still rooted in blues, though, just darker blues. Plutonian is more of a blues-rock album in the traditional sense. It taps into different blues expressions, with hints of classic rock, British rock, psychedelia, grunge, and even a bit of country. My singing has evolved over the years, and you can hear a notable difference in my tones and range. I had vocal nodes a few years after the release of 'Sakaita.' It took me years to re-learn how to sing again without being self-conscious about it because I knew that the sound of my voice had changed. Plutonian is symbolic of my growth as a singer, the pain of unbecoming things that no longer serve you, and the integration of my shadow ('Sakaita'). On a more surface level, Plutonian is quite an apt reflection of the current times. I'm proud of both albums. Instagram Facebook

If you didn't already familiarize yourself with multi-instrumentalist LIBERATI and his latest release, "Told U So," then it's about time you open your favorite streaming platform and dive in. LIBERATI is known for his original productions via his instrumental contributions. He's a high-energy, focused artist that enjoys crafting entertaining presentations for his listening base. When we caught up with LIBERATI, he shared that "Told U So" was the final single released before his album debut, and he intended it to align this way as he wanted an "Usher-like" vibe be set. "Told U So" captured the very best of what LIBERATI is capable of, and so what better what to introduce an album than to leave off with a, "Told U So" single release? Lyrically, LIBERATI elaborated that "Told U So" was meant to inspire his listeners to stop wasting time on toxic relationships and instead reflect and empower themselves. Uplifting his audience is genuinely LIBERATI's ultimate goal, and he continues his work of inspiring others with the release of "Endless Summer," set to drop soon. Catch the full BuzzMusic, LIBERATI interview here. Instagram Facebook

Independent alt-rock musician, songwriter, and frontwoman Chelsea Lyn Meyer hails from Lehigh Valley, PA. Starting her solo career in 2014, she began writing and recording as an indie artist, while finding her own unique sound. Working with producer Mike Wuerth at Long Island Sound Studios in New York, Chelsea Lyn Meyer has gone from a debut album and single releases, on route to finding her own groove in how she approaches her craft. Returning with her latest upbeat single, “What You’re Doing to Me,” Chelsea Lyn Meyer has us hanging onto all of the edgy feels we have bottled up inside. Swimming in a sea of Pop Punk angst, there’s such poise that comes dripping off of Chelsea Lyn Meyer’s persona as she performs with confidence and grace. Through the electric force field of chugging guitar riffs layered over top of the sustaining nature, we long for in a fiery stringed formula, there’s massive energy that comes surging through the speakers when “What You’re Doing to Me” comes on. Keeping up with the vivacious tempo set in place by colossal drum patterns, and a groove-infused bassline, the way that Chelsea Lyn Meyer’s striking vocalization smolders over top of this instrumental bed is a match made in heaven. Performing lyrical motifs such as ‘And I love the taste of your name on my tongue. I love the feel of your breath in my lungs,’ Chelsea Lyn Meyer has us fully absorbed in the notion of love that overcomes your very being when you can’t help but to fall for the apple of your eye. Casting out such grand emotions in a nature that seems to flow effortlessly for the emerging rocker, we’re swept off of our feet and into the bliss that is “What You’re Doing to Me.” Welcome back to BuzzMusic, Chelsea, and congratulations on the release of your latest bop, "What You're Doing to Me." You deliver us an unmatched passion that fills up our headspace. We love it! What moment or story inspired the creation of this song? Thank you! "What You're Doing to Me" (or WYDTM as we started calling it) began with the lyric I wrote while driving one day, "I love the taste of your name on my tongue." As I was writing other songs, I kept coming back to that lyric, trying to find ways to make it fit in somewhere, but the melodies just weren't powerful enough for that line. So I decided to write a song based on those lyrics instead. That's how WYDTM started. The song is about that crazy physical and sexual attraction you can feel to someone when you first see them or connect with them and navigating through those new feelings of want and need. From being in a band setting before embarking on a solo career, what differences have you noticed in your creative process as you continue to steer yourself through the music industry? As a female in the rock or pop-punk music world, which is generally pretty male-dominated, the band setting provided me almost like a security blanket. I had three guys in the band supporting me that I would look to when I questioned myself or my creative choices. Now, as a solo female pop-punk artist, I have to go into everything just ready to say, "This is who I am, this is what I want to say/express, and this is how I want to do things" and be confident in that whether I believe it or not. I don't have that security blanket to look to and say, "how does this sound?" or "do you think people will like this or accept this?". I had to show people what I could do to gain their respect to have their say, "Ok, this girl is serious, let's do something." The confidence I've gained in the whole process of transitioning from a frontwoman of a band to a solo artist can be heard and seen through my music over the last few years. The music industry can be challenging, especially if you don't fit the mold. But I think I've learned to be more difficult. Could you please share a glimpse into what it looked like to bring this record to life? Was there anyone else part of the creative process that ensured the vision of "What You're Doing to Me" was never compromised? YES! I can't speak highly enough of my producer, Mike Wuerth of Long Island Sound Studios. He understood what I was trying to say and the feeling I was trying to evoke with this record. We spent a whole day recording the song and adding little guitar licks or harmonies here and there to lift the song to another level. What are you hoping that your audience can reflect on during and after listening to this single? I like when the audience takes my songs and can relate them to something personal and give the song its meaning. With "What You're Doing to Me," I wanted to make the audience tap into a time in their life when they were experiencing new physical, sexual, and emotional attraction to someone when everything was so exciting and fresh. What's next for you? I am currently pre-production for a music video for WYDTM with director Chris Sheeran, who also shot and directed the music video for my last single, MISS ME TOO. I am also writing, recording, and playing live with the hopes of releasing an EP in 2022. Instagram Facebook

Today we introduce underground Hip/Hop artist Veelito. Presenting himself as a dynamically-charged artist, Veelito is all for taking on creative challenges when it comes to the generation of his music. He has a laidback, easygoing artistic persona that naturally emulates through his songs and sparks thorough enjoyment. The latest project Veelito has been working on is titled, "Talking Love," and focuses on none other than love itself. Veelito's core focus in this song is on spreading love and faith. He takes his listeners through a journey with his various thoughts regarding the two themes and a certain compelling quality extends itself as a result. Nevertheless, that really is the persona that Veelito has, one that is fascinating beyond compare. The sonic fusion chosen for "Talking Love" was a smooth installment of contemporary Hip/Hop beats that gave way to a heavier atmosphere, which is what elevated the underground-like style. It's within this very style that allows Veelito to be compared to artists such as Kid Cudi when it comes to the projected production. "Talking Love" definitely adheres to the upward trend going on in the current Hip/Hop music era, which is why he is an artist that is so easy to resonate with and naturally enjoy. We're anticipating new music from this depth-seeking artist. "Talking Love" is available on major streaming platforms today. Welcome to BuzzMusic, Veelito. It is no secret that your latest project has been released. Can you share with our readers what the release of "Talking Love" really meant for you? Talking Love means a lot to me. I wanted to grasp what God did for us and share the pain of the sacrifice, and I wanted everyone to know that God's steadfast love over everything for real. Within "Talking Love," you outline various thoughts on your faith and mindset. How were you hoping readers would understand you as an artist and an individual upon listening to your song? Well, if they want to understand, read the word of God and then pick up my book A New Mind for christ vol 3 out now everywhere. It's poetry. It's true. It's also some life stories and great wisdom from God on there. God is my life, and I want everything around me to be about him. Did you encounter any challenges while writing and recording "Talking Love"? Does the process usually come naturally to you, or do you find yourself meticulously crafting your music? No, it's natural my music is driven and inspired by the Holy Spirit. All Glory to God for everything that comes out of my mouth that's good. I hope this record changes those lost and uplifts those who know God to spread his love everywhere every day. Which line did you feel had the most impact within "Talking Love?" I have two the first is: "they put a crown of thorns on his head cast lots for his clothing gave em vinegar they sinister let me rip it up going bring him up never gonna stop praising his name Yahshuah ahh." The second is: "you thirsty to leave a legacy my pops already did that get back he left but he been back if you lost in the world salvation pray you to get that love." What's next for you? Well, if you haven't heard the beginning by my son Saved Gem, listen to it and then prepare because we are teaming up to do something together. We should have a single out by Thanksgiving. Also, I'm currently a producer to the Bronx film called The boogie movie pain and laughter and drama. It's going to be a great comedy. Next year, it should be in theaters, the first of many shout out to Frankie quinones Gary Pray and the director Luis Miranda. Instagram

From North Hollywood, California, songwriter, rapper, and recording artist Galo Shadez livens our spirits with his latest uplifting release entitled "Stress Free." After writing and recording verses in a friend's home studio closet, Galo Shadez felt compelled to continue honing in his creative abilities and bringing his solo career to life. Living by his mantra/brand CYOV (Create Your Own Vibe), Shadez encourages his audience to embrace diversity and explore all artistic expressions and sounds they desire. Now releasing his easy-going and laidback single, "Stress Free," listeners can catch Galo Shadez in a relaxed state of mind as he goes about his day without a care in the world. Not to mention his magnetic and influential performance, Galo Shadez leaves any listeners feeling ready to start their day with a bang. Listening to "Stress Free," we're met with a punchy and nostalgic hip-hop atmosphere that sonically serenades us with a smooth bass line, tight drum breaks, and Galo Shadez's dominant vocal performance. As his charismatic delivery and melodic tones deliver with the utmost passion and positivity, Galo Shadez continues to groove to the song's uplifting sonics that leaves us feeling refreshed and revived. We love how Galo Shadez is able to transition from his melodic hooks and into his hard-hitting rap on the verse, as it not only showcases his artistic versatility but it leaves listeners feeling invigorated with help from the song's dynamic range. As the track comes to a close, Galo Shadez grooves his way to the outro while lifting his audience into an optimistic and "Stress Free" state of mind. Leave your worries behind with help from Galo Shadez's new single, "Stress Free," now available on all digital streaming platforms. Thank you for joining us at BuzzMusic Galo Shadez. What an exciting and uplifting listening experience you've provided with your latest single, "Stress Free." Why did you want to create a song that encourages listeners to live in a more positive and stress-free state? Well, first of all, when I first heard the beat, it just gave me mad summer vibes. So I knew I wanted to write about having fun and enjoying the California summer sunshine. But also, we're just living in crazy times right now. And I think throughout the pandemic, mental health has become a more significant issue, and more people have become aware of the type of toll it's taken on society. But just me in general, I'm all about positivity and not getting too stuck up on the things you can't control, which is a lot. Just focus your focuses on moving forward and focus on the things you can handle. The rest don't trip about it, you know, don't stress. Did you produce the punchy sonics for "Stress Free?" Why did you want to offer this nostalgic r&b/hip-hop feel through the sonics? No, I did not produce stress-free. I wish I did, though. It was summertime. This was a summertime record, and you know, it just gave me that type of vibe, so I wanted to keep it cool and have something that sounded good when you're poolside having a drink and hanging out with friends. What was your songwriting process like for "Stress Free" when finding the right words to leave listeners feeling inspired and motivated to live a more positive and stress-free lifestyle? Well, a lot of those lyrics came from actual real-life events. Like stuff that I do and how I am when I'm out with friends, some of that came from that, and the rest was just what I would like to be doing or what I would like to be seeing. Also, in this time and age, people get so caught up in so many things on social media, whether politics, specific groups or people's beliefs, mom or just people's opinions on things that happen in our world and our society. I think more people need to mind their own business and not get so caught up in all the BS, and just you don't need all that you could be a lot more stress-free if he didn't focus on all the bull. Should we expect you to continue releasing uplifting and sonically nostalgic tunes like "Stress Free" in the future? Are lively and motivational songs like this a go-to for you? Expect me to release more uplifting and nostalgic tracks. That is just my character. That's just my personality. I like to make feel-good music. I wouldn't say that it's my go-to because the music paints the picture for me. I'm not going to necessarily write a happy, fun track over a beat that kind of sounds more deep or like a beat that's a little bit more on the sad side. The music is what paints the picture for the lyrics I'm going to write. What would you like new listeners to know about your music? What I would like listeners to know about my music is that my music is true to me and that it doesn't all sound the same. My brand is my mantra, CYOV - create your vibe is all about that. It is not conforming, not feeling like you have to be in a box. You could be whatever you want. You can create your lane, and that's precisely what I do in my music. I make my own lane, and there's no traffic in my lane. Instagram

Russian-born soulful pop artist Yuli Argo has always had a musical gene within her. Already performing at the young age of 7, Yuli Argo took no time in waiting to begin her career in music, and today, she continues to put forth the same passion as she releases pop-inspired ballads for her devoted audience. The latest project by Yuli Argo includes "Falling For You," which is a soulful ballad encompassing strong themes of love, patience, and passion. "Falling For You" opens with a beautiful piano melody that is soon filled with the soft, angelic voice of Yuli Argo. She has a ton of delicacy with her vocal approach that makes her voice sound ethereal in essence. "Falling For You" creates an ambiance that makes you feel as if you're aimlessly floating on a cloud, a cloud of Yuli Argo's most vulnerable and intimate thoughts as she expresses her undeniable feelings for a certain romantic interest. Yuli Argo pleads within "Falling For You" that she can't help but essentially succumb to the emotions of falling for this particular individual, and here is where listeners get to see that sweet and vulnerable element to Yuli Argo. "Falling For You" proved to be an impassioned offering from pop artist Yuli Argo. Her single is now available on major streaming platforms. Welcome to BuzzMusic, Yuli Argo. How does it feel to have your emotionally raw single "Falling for you" out on streaming platforms? Thank you so much for having me! OMG, I'm excited and terrified at the same time! I've never shared my music with anyone before, so it's a massive step for me as an artist! I'm not going to lie, and I feel super nervous! How did you acquire the influence for the lyrical content in "Falling For You?" Was it based on a personal connection? Yes! I wrote "Falling For You" four years ago, and it's based on feelings and emotions I experienced then, but during quarantine, I decided to upgrade it a little. I completely changed the chorus, and it gave the song a different dreamy vibe! You've mentioned that writing was an element of music that didn't come naturally to you, confidence-wise. Can you share how you've progressed with your confidence in writing from when you first began to now, especially in the light of your release "Falling For You?" As you know, English is my second language, and like most immigrants, I had and still have that fear of speaking or writing something wrong or incorrect. As soon as I got more comfortable with the language, I got more comfortable with writing! It's funny, but it's easier for me to write lyrics in English now than in Russian! What were you hoping listeners would feel and think upon listening to "Falling For You?" What was the main goal with this particular single, and how did "Falling For You" attribute to your overall message as an artist? I chose "Falling For You" as my debut single for a reason. I think a lot of people will be able to relate to it! The main goal was to make people relive that state of being in love, make them feel those butterflies again, and since it ends in uncertainty, I want them to decide for themselves at the end of the story. As for me, I always choose a happy ending! What's next for you? That's a good question! I enjoyed the creative process of making the song so much that I have so many ideas and thoughts about other music I want to put out there next! I have a couple of songs that are ready for production and several unfinished ones. The main goal now is EP! But first, I need to rest a little. The whole release process was a bit stressful for me, but I think it's always like that when you are doing something for the first time! Instagram

R.A.E. RealAndExplicit offered her latest project, "I BEEN," to hip/hop fans this past month. Her artistic persona speaks volumes in this track and shines a light on attractive elements of her musical capabilities. During R.A.E. RealAndExplicit's BuzzMusic interview, she elaborated that the chosen beat for "I BEEN" gave her a "storytelling feel," in which she knew it was the right product for her track. Lyrically, "I BEEN" hones into the grind and focus that R.A.E. RealAndExplicit has possessed through her life and continues to possess. She works to motivate her listeners through "I BEEN" by speaking the truth and pushing the fact that we all have to keep going no matter the circumstances. Aspects of R.A.E. RealAndExplicit poetic side were able to flourish through the constructed message, and thus listeners saw a raw, vulnerable side to her and her artistry. If you're wondering what's next for R.A.E. RealAndExplicit, she's planning on dropping new music with her on-the-side girl group, Suicide Dollz. Regarding her solo act, R.A.E. RealAndExplicit can be found working the ropes in advancing her own music, clothing, and radio brand. The grind is definitely real, R.A.E. RealAndExplicit! Read the full BuzzMusic article on R.A.E. RealAndExplicit and her song, "I BEEN," here. Instagram Facebook

From Brooklyn, New York, the electronic audio/visual experience Death By Piano takes listeners through the trials and tribulations of a broken relationship with their emotional single, "Do I?" Led by singer-songwriter and keyboardist KALEN, Death By Piano often collaborates with Brooklyn's top producers like No Surrender, Abe Seiferth, Greywolf, Tom Marsh, and Eric Zeiler. Known for their dynamic sound that transitions between darkwave and shoegaze, Death By Piano is often sonically compared to the likes of The XX, Portishead, and Cigarettes After Sex. Highlighting their soul-stirring single, "Do I?" off their latest 6-track EP, 'Hellish,' KALEN and Greywolf bring listeners deep into the dark thoughts and emotions that lay within a troubled relationship. While KALEN serenades us with her angelic and airy vocals, Greywolf keeps the song's emotion alive with his intense vocals and eerie production. Hitting play on "Do I?" the song opens with a gentle keyboard melody and KALEN's soft vocal appearance. As a reverbed and lush electric guitar sprinkles through our speakers, a tight array of hip-hop drum breaks slowly pierce us with a sense of reflection and introspection. As KALEN leads us to the hook, she belts the many questions and thoughts that linger in her mind while transitioning into Greywolf's soft and gentle delivery. As Greywolf offers a deeply mysterious and emotionally intense vocal performance, the song transitions back into the sparkling hook where KALEN belts her breathy vocals and asks those lingering questions that boggle her mind. We adore the collaboration between Greywolf and KALEN, as their vocals are more than complementary and equally enhanced by the song's dark and cinematic production. Dive into the depths of tragic love with Death By Piano's recent hit, "Do I?" and find their 6-track EP, 'Hellish,' on all digital streaming platforms. Welcome to BuzzMusic Death By Piano, and congratulations on releasing your recent 6-track EP, 'Hellish.' What inspired you to create this dark and emotional project? The state of the world. The state of ourselves. When did you create the single "Do I?" along the road of your entire EP? Was "Do I?" one of the first songs you made for the EP? The sketch to Do I? came early - the final product much later. There were the bones for a real pop song chorus, but it took finessing to make it so. How does "Do I?" fit into and enhance the entire EP, 'Hellish?' What role does this single play in the project's theme and concept? It's about asking oneself if you're ready to make a big change. Change has always been at the core of DBP's lyrics. We've heard that there's a forthcoming music video for your single, "Do I?" How does the music video enhance the song's lyrical theme? It takes the question of change, of ultimatums, of growth outside of the realm of a romantic relationship and begs an examination of change at a more societal level. What's next for you? Lots of new music with new and old collaborators. Instagram Facebook

Hailing from Caguas, Puerto Rico, the independent pop artist and singer-songwriter Xavier Bernazard releases an emotional and empowering single entitled "Sea Song (I'm Not Okay)." Growing up surrounded by the sounds of Afro-Caribbean music, Xavier Bernazard was also enamored with the US's musical trends and acts like My Chemical Romance, Paramore, The All American Rejects, and Evanescence. One should always expect a personal and heartfelt venture when listening to the non-binary artist's music, as they describe it as "emotional & raw exploring themes of reflection, heartbreak, battles with depression, and general angst." Recently releasing their empowering and reflective single, "Sea Song (I'm Not Okay)," listeners can get a better understanding of the emotional prowess and intelligence that Xavier Bernazard holds and cherishes. While hoping for a brighter day to come around, Xavier Bernazard takes a good look at the past with fresh momentum to start anew. Listening to "Sea Song (I'm Not Okay)," the song opens with samples of the sea crashing on the shore alongside a bright keyboard melody and a warm acoustic guitar. As Xavier Bernazard makes their tender and soft vocal appearance, they begin to expand on not feeling entirely secure and okay with their stance in life. As they continue serenading us with incredible emotion and passion, the background instrumentals begin to expand and develop into this mighty and powerful punk-inspired soundscape that leaves us inspired to start a new chapter. As Xavier Bernazard closes the song, they leave us with nothing but motivation and inspiration to look back at the past with pride while moving towards our vast and unavoidable future. Allow Xavier Bernazard to remind you that brighter days are ahead with their latest single, "Sea Song (I'm Not Okay)," now available on all digital streaming platforms. Thank you for joining us at BuzzMusic, Xaiver Bernazard. We adore the dynamic and emotional venture you've taken us on with your latest single, "Sea Song (I'm Not Okay)." What moment or experience inspired you to create this reflective piece? I had initially written the piano motif you heard in the intro when I was 16 but couldn’t figure out any lyrics to go along with it. Fast forward to a 3 AM night in college where I was missing home and contemplating life. I knew I wasn’t doing okay, and this song was my first step towards healing. What was your songwriting process like for "Sea Song (I'm Not Okay)?" Was it easy for you to transmute your thoughts and emotions into words? It was very fluid, and the melody came along at the same time as the lyrics. I was crying, though, when I said I wouldn’t cry tonight. It was like a big confession for me, words that have been in my head a long time but just poured out in this song. Why did you want to give the outro this powerful and punk-inspired instrumental edge for "Sea Song (I'm Not Okay)?" I’ve always loved pop-punk and rock music and wanted to add my little flair to it for this song. Some of my favorite emotionally charged songs are by artists like My Chemical Romance, Paramore, and Evanescence. I felt this song needed that extra boost. How do songs like "Sea Song (I'm Not Okay)" represent you and what you stand for as an artist? How can listeners get to know you more personally through songs like this? I always strive to be honest in my writing and my stories. All of the songs I’ve written have been therapeutic for me and have helped me a lot. I hope that these songs help and inspire others to do the same. Be honest, be brave, and be true to yourself always. What's next for you? I’m getting to release my first EP! It’s called 'Anastasis' and will be out on October 1st. I’m super excited for it, and it definitely will be an emotional rollercoaster. Instagram Facebook

LHO is a singer/songwriter who brings a refreshing, contemporary style to the already modern pop era. Her artistry came to fruition during quarantine, as she began dabbling in the country genre. Nevertheless, LHO craved to write about narratives that could aid in her personal growth and healing, thus switching over to dominating the pop genre. As she releases new music, listeners get to understand LHO in a different, more intimate light. The latest project release from LHO includes "Hun," which offers an intriguing and affecting performance on vocalist Leighann Hodgkins' end. Produced by Josh Schuback, "Hun" offers a production that elevates the vocal tone of LHO. He infuses quality and impactful-sounding instrumentals to shape the narrative that LHO is delivering. Diving more into her vocal sound, LHO appeals to her audience by adding honest and soft elements to her voice. Her fruitful and charisma-filled tone compels listeners to her narrative, which is definitely one to follow along if you're interested in some drama-filled ex-lover content. The band's appearance elevates every aspect of "Hun," as they infuse quality and impactful-sounding instrumentals to shape the narrative LHO is delivering. The story being portrayed is LHO's perspective on her ex-lover, as well as her ex-lover's current partner. Themes of betrayal, jealousy, and introspection come into play, and needless to say, "Hun" is an LHO anthem for speaking her hones truth. If her next song is anything like "Hun," we'll definitely be in for the listening ride, as LHO crafts a stimulating experience for her listeners. Thank you for joining us at BuzzMusic LHO. How does it feel to finally release your story in "Hun?" Were there any moments during the writing or recording stage that you felt discouraged? Finally releasing "Hun" is very cathartic. I'm not someone who could ever be mean to someone, but I do have a lot of pent-up feelings from years of people walking all over me or taking advantage of me. I don't believe in treating people poorly, but I do believe in karma and justice. I have a lot of unsung justice needing to be carried out so I started with this particular moment. It was my way of "getting back at the bully" without acting outside of my character. What type of advice, if any, would you give someone who went through a similar situation to that presented within "Hun?" My advice to anyone who has ever been through a similar situation is just to stay true to yourself. Don't get even, get better. Always treat people how you want to be treated because the universe is just a pool of reflected energy and vibrations. Whatever you give out, you get back. Know that people who pick on you or are cruel to you have a lot of things they hate about themselves. It has nothing to do with you and everything to do with them. Are there any dynamics you incorporated into "Hun" that felt different from your typical sound? "Hun" is the first song I've put out focused around a guitar sound. I wrote the first verse and melody first. When I heard that guitar everything fit together in a way that told the story I was looking to write. It carried the energy I was looking for. There's also a lot of different production on this track than any of my other ones. The laugh you hear in the background actually happened accidentally. A girl was walking by the door to the recording booth and I hadn't shut it all the way. She laughed as she walked by and the mic picked it up. It fit perfectly into the song so we kept it as a texture element and as a story element. Where did the inspiration draw from in order to create such a narrative that was portrayed in "Hun?" "Hun" is written about a house party I went to. I ran into the girl my ex was seeing and we obviously felt very differently about being in each other's vicinity. I've never been one to be mean to people, especially other women. I always found it so strange that some women are quicker to be cold than to be kind. Long story short, she did several things that night to try and make me feel small. Obviously, it didn't work. She really did end up getting super trashed, stumbling all over the place, and sobbing on the staircase. I decided to write a song about it a few months later. What's next for you? What's next for me? More music, a few surprises, and maybe becoming the next Opening Act! I'm in the running to possibly open for a show at the Hollywood Bowl. Keep an eye out for any updates and new music over on my socials! Instagram Twitter