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JorJ is an up-and-coming artist from the Bronx looking to leave his mark on the scene with his eclectic style and artistic range. It was only a few years ago when JorJ made the decision to pursue music full time with close collaborators and friends, Scotty OD and Brandino Bandz. Resolved in his decision, Jorj worked to refine his sound and see just how far he could take his music. Three years after his first release he finds himself returning to his roots, giving you an in-your-face rapped performance, over some similarly gritty production once again from Scotty OD. Leaning into the intensity that surges from JorJ’s latest single “PUZZLED,” we hear a unique versatility that JorJ brings to the table as he adds his creative flair to the genre of Hip-hop. What’s so unique about this track happens to be the melodic essence that passionately pours from JorJ’s vocal performance. Giving it his all as he nimbly bounces through various cadences on the enticing instrumentation heard in the soundscape, we appreciate the way he moves with both agility and urgency to get his braggadocious lyrics across. Collaborating with another heavyweight in the industry, we hear the skill set of Hood the Shogun step on the track as these two artists bring out the best in one another. Hood the Shogun has a deep presence in his tone that brings out the dark hues heard on this beat, all while JorJ provides a more illuminating sound that is focused on gleaming with emphasis. Even the opening bar of, ‘Why they wanna step got me puzzled. It leave me wit questions a couple,’ has us fully locked into this sonic expedition and ready to hear the vibrant energy destined for the speakers at full blast. Truly putting his best foot forward as he brings yet another banger to the ears of his listeners, we’ll have “PUZZLED,” on repeat this summer. Congratulations on the release of “PUZZLED.” We love this collaboration between yourself and Hood the Shogun! How did you two come to work together on this track? Thank you, we're all really excited to share this song and all the work that went into it. Scott (Scotty OD) is really the driving force behind this whole project. He already knew he wanted Shogun and I on it when he made the beat, so it was just up to us at that point to make it happen. He had just dropped the beat in the group chat one night and I wrote the whole verse that next morning. Honestly, that isn't my usual process, especially recently I've been taking more time to write songs and flesh out the concepts. But with this one, the lines just kept coming to me. Shogun did his verse a few weeks later since he was working on his project "I HOPE THIS WALK CLEARS MY HEAD" but shit it was worth the wait. It was my first time hopping on a track with him and I honestly could not be happier with how it came out. With this being yet another Scotty OD production, what similarities and differences did you find in the creative process when bringing this vision to life? Around that time Scott was just sending a lot of beats in the chat, and I'd write little bits here and there to stuff I was fucking with. There wasn't really a clear direction for my next release or anything like that, but with Puzzled I knew I wanted to do something with that from the moment I heard the sample come in. He had mentioned that he wanted Shogun on it and I'd been wanting to work with bro for a minute on something, so that was just the cherry on top. I had wrote pretty much my whole verse that next morning. I like to write for the most part alone unless we're making something from the ground up in the studio, so it wasn't really different in that sense. Where it differed was just in how long it took me to write it. This year I feel like I've been taking a while to finish songs, especially if I know I want to do something with the idea release-wise. The lyrics just came to me on this one though. I don't think I was writing for even an hour. Yeah, I edited some stuff after the fact, but the energy Scott had when he was making that just passed through the headphones. He bugged so I had to. What are you hoping that your audience takes away from this track? The energy. This song makes me feel like no one could tell me anything. I have been working on my craft and trying things out sonically, but I wasn't even trynna make a song per se. I was just trynna get that off my chest, put that confidence into the air, and in motion. There are no hook on that track, just straight bars all the way through. I have like a 24 on that song, and I haven't done a track like that in a long time. It felt good to just bug out. I want people to bug out with me when I perform it, and to feel that unstoppable energy within themselves when they listen to this song. In terms of the message you send out to your listeners through your music and brand, what do you find to be your mission statement? I just want people to feel what they feel. Usually, I tackle that idea with songs where I talk about my own mental health and struggles, but I think this song is just as important in making that point. Yeah, it isn't getting into any serious topics socially or anything like that, but that's not the point, I have songs like that for that reason. Yeah, you gotta face reality and your issues head-on, but you can't push the good feelings away either. You are allowed to be happy, sad, or anything in between. I just want people to feel those emotions when they arise, and when I made this song I was feeling especially confident in my abilities as a rapper and artist. I just expressed that the best way I knew how. What's next for you? The next time you'll hear me on a track will probably be on Scott's new project coming out over the summer. Puzzled is gonna be a part of it, and there's gonna be a ton of dope collaborations on that with a lot of artists that are part of the SUNY Purchase scene so look out for that. But following that, I have two projects I'm working on with Scott, executively produced by him, and you should expect one of them to be dropping around the end of the summer. Totally different approaches on both, but the first one "Odyssey" should be out before the end of the summer. Doing some more melodic stuff on that, but expect some bangers of course. I also got productions credits on some songs coming out before then, so keep an eye out for that too. Instagram

RAINNE is a Los Angeles-based dark-pop duo that has recently released their haunting single “Spiders,” which gives fans a taste of their captivating sonic sorcery. The duo is made up of the classically trained artists Annie Dingwall and Justin Klunk, who each bringing a unique emotional density to the table. Annie Dingwall spotlights her complex mind through metaphorical songwriting as she vocalizes her stories which complement a contemporary dark-pop atmosphere. Justin Klunk combines melancholic electric guitar melodies with heavy synths to create RAINNE’s staple ominous tone. In a recent interview with BuzzMusic, RAINNE describes the inspiration behind the metaphor of their recent release “Spiders.” Annie Dingwall describes, “I would lie awake for hours trying to clear my mind to fall asleep, and the harder I tried to stop the thoughts, the more they invaded my mind. I felt that was pretty similar to when people notice a spider (or another bug) crawling in their house and find it hard to just ignore - the more you don’t want to think about it, the more you do. These uncontrollable ideas have a way of spinning a web of thoughts upon thoughts, and before you know it you’re stuck in this spiral and can’t get out. Writing this song helped me come to terms with this kind of anxious thoughts, so I thought it only fitting to pair it to a creepy, lullaby-like melody so I could finally put them to bed.” Discover the full interview with RAINNE, here. Instagram Artist Website

From the mountains of Prescott, Arizona, Ponderosa Grove is a newly formed trio that has recently released their debut album titled “The Debut.” Made up of members Candace Devine, Drew Hall, and Johan Glidden, Ponderosa Grove makes a collaborative effort throughout every step of their creative process. Ponderosa Grove is known for its instrumental versatility as they incorporate artists who specialize in anything from Saxophone to Wurlitzer. With each musician having been solo artists and members of other bands, they each find themselves inspired by past influences and experiences, making each collaborative project an unforgettable mosaic. In a recent interview with BuzzMusic, Ponderosa Grove shares a little bit about themselves to help fans get to know their energy. A member of the band states, “we hope that if there's one takeaway in getting to know us, it's that at the very least we're not boring. We are not afraid to write music we enjoy without the worry about what genre box we fit into! We embrace our different influences. We embrace that some songs are folky while others have a dance flair. Some are more poetic, and some are anthemic. We hope you love the multi-facets as much as we do!” Instagram Facebook

From New York State to Florida, the inspirational singer-songwriter and versatile artist Craymo releases a powerful anti-bullying message with his latest single and music video, "Be Myself." As music seemed to possess his soul from a young age, Craymo couldn't help but imitate the acts and artists that inspired his musical journey. Also, an inspirational LGBTQ+ artist, Craymo never fails to leave the listener with a bounty of motivation and drive to live the life they want. Serving a powerful message with his latest single and music video, "Be Myself," Craymo went into detail regarding his tribulations growing up gay and living in the closet until he felt accepted. "The best advice I could give someone who is struggling with their sexuality is don't put a label on yourself, just be you, love yourself, love who you are as a person and as a human being," mentioned Craymo. Directed by Stas Ivanov in Craymo's hometown of Florida, his music video for "Be Myself" begins with a powerful entrance by Craymo strutting his stuff and exclaiming his desires to be himself and not abide by the boring norms of cisgender society. With a crisp transition, we're met with shots of Craymo's friend in drag walking Florida's runway and exclaiming their inner freedom. As another friend joins the party and encourages us to live how we want, the three friends later make their way down to patios, parks, subway stations and eventually land at Craymo's concert. We adore the message within this music video, as any viewer is bound to feel a sense of relief, inspiration, and freedom after their first viewing. Catch the motivational words of Craymo's latest single, "Be Myself," on all streaming platforms, and find the lively music video on YouTube. Welcome to BuzzMusic, Craymo. We genuinely appreciate the powerful anti-bullying message you've delivered within your recent single and music video, "Be Myself." When did you begin feeling compelled and inspired to create this powerful single? Thank you so much. Growing up gay was a very difficult journey for me, as it is for most people who are struggling with their sexuality, and I lived for many years in the closet, pretending to be someone I wasn’t, trying to conform to the “norms” of society. I was a late bloomer and didn’t come out until I was 39 years old. It was such a freeing experience to just be me, living my authentic life. I got the idea a couple of years ago after reading story after story of people being bullied just for their behavior and the way they looked, also stories of young kids struggling with their sexuality and sexual identity. I wanted to create an uplifting song of empowerment that says you do not have to conform or put a label on yourself, a song that gives you the confidence to just be yourself no matter what anyone else thinks. What was it like working with director Stas Ivanov for your music video, "Be Myself?" How did she help bring your ideas to life? Stas Ivanov is the coolest guy! He is a super talented photographer and filmmaker originally from the Soviet Union that now lives in Orlando, Florida. We met through a mutual friend involved with OIF, Orlando Independent Filmmakers where I have acted in several indie films. We met for coffee and I told him I had this cool song with an anti-bullying message that I wanted to create a music video for. We bounced ideas and came up with the concept for the video! Be Myself was nominated for Best Pop Video in the Indie Music Channel Awards in Los Angeles. What was the shooting process like for "Be Myself" when working alongside your friends? Was this an easy and enjoyable process? Filming the music video was a blast, we shot it in 3 days in 4 or 5 locations. A few of my friends came together to make it happen, Carmelo, Shelly, Breanna, and the super talented Naomi Lee, a local drag performer all volunteered their time to help get this anti-bullying message out. We all had a blast. They loved lip-syncing the song too! Do you normally release music that touches on necessary topics like anti-bullying and living life unapologetically? Or was "Be Myself" merely inspired by pride month? Yes, I want to be remembered as someone who fought for social change. I released a song “Moment” for suicide prevention awareness after my first cousin took his own life, to hopefully help other people from doing the same. We all have difficult moments in our lives, we just have to remember that it’s just a moment, things will change, it will get better. The lyrics say: “I’m having a moment but I’m having a good day!” After 9/11 happened I released a song “One Love One World” about world peace, equality, unity, togetherness, and human rights. The message of the song is we are all part of the human race, We all need to get along and make this world a better place for all of us. I am planning on releasing a new version of it this year for the 20th anniversary. The music video has over 150,000 views and won Best Music Video in the Worldwide Music Contest! Do you have any other releases planned for the summer season? Yes, hehe, I have a few surprises I am working on! Maybe a cool Madonna cover song, you never know! You’ll have to follow my Spotify to hear them first! I just released an 80’s remix of my dance song Give Me Your Love that will make you relive that era! My music for the most part is about fun and joy. I hope it puts a smile on your face! Instagram Facebook

The multifaceted Andre de Brito is a singer, composer, poet, producer, and multi-instrumentalist originally from Portugal. He divides his time between Lisbon, London, and Los Angeles, having released several albums under his own name or even with other musical pseudonyms covering different styles. Andre de Brito has a profound vocal tone that emphasizes an overflowing comfort in his soothing timbres. His most recent single, “Queen of Spades,” is a prime example of how the bellowing resonance of his croons cascades upon vibrant instrumentation in order to portray an otherworldly sound. There’s a lively energy that pours from the rhythmic essence of this record as the bright piano chords accompany the tightly knit drum hits in the unveiling of a colossal atmosphere. The composition of “Queen of Spades,” has us hooked on every word that Andre de Brito casts out to his audience, and in turn, has us sinking our teeth into lyrical motifs such as, ‘No matter what you do. No matter what you say. No one can take this love away.’ What we love the most about this track has to be the way that the tempo gets kicked up a notch when Andre de Brito performs the mesmerizing hook with the utmost passion. Although he carries a securing sense of ease through his verses, he understands that there’s a time and place to let it all out, and that’s during the chorus of “Queen of Spades.” Accompanying this masterpiece with words that ring bells, Andre de Brito is an empowering force, full of love in his latest single. Welcome to BuzzMusic, AndredeBrito, and congratulations on the release of “Queen of Spades.” The themes that you cover in this track are filled with so much passion. Was there a particular moment or story that inspired the lyrical content that we hear? Thanks for the compliment on my new work! About the lyrical content of "Queen of Spades", it is not inspired by any particular moment or story of my life but most probably by my own nature since I am a very emotional person. So it is basically a reflection of my own ideas, fantasies, and thoughts. Having said that, apart from the typical writing process which involves a blank page in front of me, I do have another method that is rather awkward. I am a cinephile and I do watch a lot of movies paying attention to the sentences the actors say or any other relevant information, visually speaking that I can use in my lyrics. If something strikes a chord inside me, I will write it down. I also love film music of course. Could you please take us into the creative process that brought this track to life? Did you find it similar or different to the process of other records released? I record so much at my private studio that I really don't have a particular method or process to start writing songs. It is incredible what you can do nowadays with the technology available. Since I play different instruments, I have used the guitar, piano, or bass as a starting point. Other times a simple blank paper will do the job or just playing with my music software (I use Cubase mainly). What happens to me a lot, especially when I am walking, is for music to pop up inside my head with all the instruments included. And in those times you need to revert the process and get the individual parts of each instrument out of your head. About "Queen of Spades", I started with the piano chord progression. Everything else came up quickly in terms of songwriting, lyrics included. What took me a long time was the music production and the recording process. I think if anything that was done differently was the fact that I decided to hire a couple of online session musicians to collaborate, instead of playing all the instruments myself. And to be fair, one of the lessons I learned was that some collaborations work well and others don't, even if people have the best of intentions. For instance, I tried a couple of female singers so I could make the song a little bit different but things did not really glue well. For me, the creative process is never finished. When I brought the song for the mixing session, the track didn't have any electronic beat, just live drums. Me and the sound engineer observed that the song was lacking punch and we decided to add an electronic beat on top of the drums. There is always time to change something until the song goes to the mastering phase. Delving into the topic of love, do you find this narrative easier or more difficult to write about? What generally sparks the inspiration for getting into this state of mind? I think love is the easiest narrative to write about since it is a universal feeling. What I think is incredibly difficult is to write about love without sounding banal or in a unique way. I am not very fond of sappy love songs with lyrics such as "you love me, I love you" or "you are so beautiful and perfect." "Queen of Spades" is a love song but shows different aspects of a relationship such as fate and nonconformity. I do usually write more sad love songs than happy ones, so "Queen of Spades" was an exception for me. About the other question, I can't really force myself to be inspired, I just create as much as I can and pick up the good pieces. Sometimes I even release music I don't like or don't find valuable but releasing albums gives me a purpose in life. I know singles are now probably more important than albums, mainly due to digital selling platforms but for me, an album has something intrinsically artistic in it. What I am doing differently for this new album is basically to release some singles separately before the final album release. I think an album should be diverse, showing the different "personalities" of the artist. What has been the best piece of advice that you have received throughout your artistic career? I am not really a person following advice unless they show up in an informal talk, by accident. I actually think following advice and listening to everyone's opinion can sometimes ruin your career, which seems almost like a paradox. I like to be isolated and centered in myself. I prefer to follow a more organic way, which is to talk to other musicians I respect and ask questions on common interests. For instance, I play guitar but I don't really consider myself a good guitar player. So when I talk to my friends, who play way better than me, I basically bombard them with questions about technique, what amps they use, or their favorite pedals. Singing and songwriting are the only things that I feel like I excel at but I can't avoid having a wide range of interests in the music and audio department. There's always time to exchange ideas and these small talks are much more important to me than a single major piece of advice. What's next for you? What I am working on at the moment is recording new songs for my album to be released this year, creating new videos for my Youtube Channel, trying to cope with the social media posting, seeking licensing opportunities, preparing live concerts. I don't make long-term goals, I prefer the small steps approach. Feel free to follow my work on Youtube, Spotify, and Social Media. Instagram Facebook

Born in Milwaukee, Wisconsin, E Coop is a Hip-hop artist who began working on his craft after college. Looking to be a master at life, his mentor Osho has played a huge role in the way that E Coop is living out his dreams. His latest single, “Bhagwanmansamusa X,” intrigues us with enticing Trap instrumentation that hypnotically reigns you in. E Coop begins his verse by introducing himself to his audience and digging into the inimitable swagger that he possesses. There’s a sense of anonymity that surfaces in the production techniques utilized, and we can’t help but be transported to the atmospheric realm of E Coop’s styling. “Bhagwanmansamusa X,” provides us with a slow-paced bop that trickles into our minds only provoking thoughts as the song progresses in its nature. Through the intricately crafted verses, and brilliant use of space, the words that E Coop performs etch themselves into your mind as you ponder over the impact of what you just took in. Executing his artistic virtuoso in a way that is both playful, and cognizant, it’s safe to say that E Coop has established a lane that specifically embodies the unique flairs of his gift. Leaving us fully absorbed in the musicality pulsating through the speakers, we’re eager to immerse ourselves in more melodies from the emerging artist’s music catalog. E Coop is destined to reach the top as long he keeps serving us what he does best. Welcome to BuzzMusic E Coop, and congratulations on the release of “Bhagwanmansamusa X.” With such a unique title given to this song, could you please walk us through the concept behind its name? The name Bhagwanmansamusa stands for the Higher Self. When I’m my higher self I’m Bhagwanmansamusa. The name, Bhagwan, comes from my master Osho, it means God. The Name Mansamusa comes from a rich African Ruler and that’s how I see myself, rich with wisdom. The X comes from the movie Project X. It stands for the ongoing celebration of becoming my higher self, Bhagwanmansamusa. How do you apply what Osho has taught you while completely solidifying your place in a lane of your own? Osho taught me the basics of meditation & the gifts that come with self-realization. After being under Osho & meditating on his words I started an online church, where I express myself and lead my cult-like following. We all self-confident in our movement. In your own words, what does “Bhagwanmansamusa X,” mean to you? What are you hoping that your audience takes away from this record? Bhagwanmansamusa X means being 5 stars and being your authentic self. I want the audience to know you can never go wrong with being your true self. How does “Bhagwanmansamusa X,” compare to the 2019 release of ‘Hellfire’? How have you grown as an artist in this time? Hellfire was based on me being really gritty & doing whatever to get what I want. Bhagwanmansamusa X is me evolving and trusting life to bring me what I need. Being 5 stars is attracting what you need most in life. What's next for you? I’m working on expanding my church and our movement through social media & word of mouth. You can take a look for yourself on Instagram @bhagwanmansamusa. That’s where I preach 24/7 and also on Snapchat @e.coop96. Hopefully one day our message will reach the world. Instagram

Indiana Bones is a tall, dark and mysterious country artist, from the Gold Coast of Australia. After his blues-rock duo, Wakan Phoenix, once described by Classic Rock Mag UK as ‘dusty Aussies banging out homicidal blues-rock,’ went cold during Australia's 2020 Covid-19 lockdown, Bones shifted his gear to the coast and start lamenting cowboy covers on his acoustic guitar. Delving into his latest release and unique take on the Tom Waits classic “Goin' Out West," Indiana Bones proclaims this as the barn-burning take of the well-known track. As we fixate our attention to the visual pairing that is uniquely crafted to go alongside Indiana Bones’ rendition, we have the comedic approach to bad to the bone, American Western cinema. Hanging outside the Panchos Tex Mex restaurant on his motorcycle, we catch some heavy-duty biker vibes from Indian Bones as he strums his acoustic guitar in the sunny heat on the Gold Coast. What we love the most about this concept has to be the fact that upon first viewing, it may seem out of place to have Indiana Bones exactly where he is in the filmic component, but that’s when it clicks; this is absolutely genius. It plays upon who he is as an artist and individual while bringing light-hearted ease to his fan base when they see the oversized mustache and sideburns that he rocks in pure hilarity. If you’re in the market for that little pick-me-up when it comes to Indiana Bones’ quintessence as a creative, then you’re at the one-stop-shop for both talent and unconventional showcases of imagination. “Goin’ Out West,” has us embracing the wit that lies in the delivery of this jam. Welcome to BuzzMusic, Indiana Bones, congratulations on the release of the music video for “Goin’ Out West.” This cover has your personality draped all over it, and we were completely mesmerized by the hilarious visuals put together for the music video! Could you please take us into what inspired you to cover this Tom Waits original in the first place? Thanks very much, it's an honor! There were two main inspirations when it came to covering this song; the first being the lockdown. Not as bad here as it is in the U.S., I know. But it meant my band, Wakan Phoenix, went quiet last year, so I was stuck lamenting at home, messing around with covers on the acoustic guitar. I can only play other people's songs in this drawly, country style, I don't know why. I like cowboy movies and I'm not very talented? The other thing that inspired me was the song itself. The first time I heard it was at our old local pub, it was karaoke night, and my friend Luke started singing it in this ocker Australian accent. It was hilarious, and I fell in love with the lyrics. So, like a true artist, I stole it. We love how you stumbled upon this restaurant while riding down the Gold Coast of Australia. What was it like filming the music video at this location? Everything about doing this song felt so fortuitous to me, it was all so lucky and hilarious and kinda badass. The owner of Panchos, Marie, turned out to be as, perhaps even more, eccentric as me. When we started filming she came out and got to talking, and she was right into it! She started handing us coronas and props; the boots my wife, Olivera, is wearing in the clip were hers. Did you ever have a vision of what the visuals would look like before finding Panchos Tex Mex? How did this theme fit into your original vision if there was one? Funny you ask! I had originally thought to driveway out west here in Queensland, Australia. Into the sunburnt country, you know? Anyway, I was just out on a leisurely ride on my motorcycle one day, near home on the Gold Coast hinterland, and I came across this oddly located Tex Mex style restaurant. Suitably ironic visual for the song I thought, and it turned out to be perfect and a heap of fun. What message are you hoping to send out to your audience through the music you craft? Not a whole lot really. I'm very political in my life and other projects I have, but music has always been a catharsis for me. When I play or just listen, I go to church! I mean, I'm exorcising the demons, but it's from the pure act of having a good time. And I don't even feel I have a choice, I'm just a man possessed! So, this is what came out, I love playing it, and I just hope other people love hearing it! What's next for you? I got a few things in the works, always do! I'm playing a full country covers set at the moment, with one coming up at Vinnie's Dive on the Gold Coast on the 1st of August. I'm working on a date at Panchos Tex Mex too, that'll be fun to go back to. Some original stuff maybe in the future, but it happens when it happens! Anyway, it's bedtime down here, so thanks for the yarn, Buzz. Cheers! Instagram Facebook

RSY is an R&B/Soul singer-songwriter hailing from Brampton, Ontario. Through her pursuit of music, RSY grapples with truth and vulnerability as her sound, style, and tone are an experience of their own. Her interest in music peaked when she began writing poetry in high school, and that quickly turned into beat making and writing music as RSY went to University. Diving deeper into music with purpose, she has composed her own unique approach to R&B by bringing life to cinematic concepts through a panache unique to her. Producing an atmospheric ambiance in the depths of her most recent single, “Doubt,” RSY revisits the nostalgia of timeless R&B with the classic grooves of the instrumentation and vocal harmonies. Carrying a warmth in the tone she transports her irrefutable timbres with a modern wave of contemporary flair as we are welcomed into a vulnerable sector of thoughts that trickle from RSY’s headspace to the microphone, and the overflow into our speakers. Her angelic vocals are clear and present as they take the spotlight of “Doubt.” Remaining front and center as the lucid timbres cascade with the impeccably timed percussion patterns disbursed through the composition, we have the pleasure of feasting on lyrical motifs such as, ‘Your body could be my escape. Freedom in you I taste.’ Delving into a narrative that reflects on the empowering push and pulls through the motions of love and lust, RSY encapsulates a world where her eyes are locked on the commitment it takes to line up the lens with the apple of her eye. There’s a magical escape that happens the moment RSY’s words greet the musically charged essence of this tale, and we have to admit that we’re here for it. Taking over, one song at a time, RSY is now someone on our radar that is known to deliver top-tier perfection. Welcome to BuzzMusic, RSY, and congratulations on the release of your most recent single, “Doubt.” The way that you convey this storyline speaks into our soul. Amazing job! Was there a particular moment or story that sparked the themes dissected in this track? Thank you so much! All I want is for it resonates with people in some sort of way. I feel like the song is so specific to a certain situation I had going on at the time but relatable to many aspects of life. I initially wrote it because I was battling myself to just move on from a relationship that had so many benefits but not necessarily what I needed for who I am trying to become. I kept doubting just moving on because of comfortability but I had to get out of my own way. I feel like the lyrics convey the story really honestly. I know many people can relate. Being your debut single, “Doubt,” carries such a mature presence through well-developed production quality. Did you work with anyone to bring this vision to life the way you saw fit? The song actually came about kind of weird. I was working with my producer JMS who always makes great beats but this day when I first heard the beat I was not feeling it. He was basically telling me to trust him that it would turn out fye but my doubts were so high that I just wanted to move on. Long story short the beat ended up being so fire and we named it to doubt. Oddly enough doubt had just been such a reoccurring theme in my life at the time in regards to relationships, music, and just growing up more so it just came full circle and made sense. Looking back at your frame of mind when creating “Doubt,” how would you say that your mindset has altered now that this song is released? Looking back at that time, I feel like I was learning to trust my intuition more. I was definitely trying to piece together how I wanted to tell my story but be more vulnerable and honest with people doing so. Now that I’ve spent some time learning more about myself and learning to silence my doubts I’m definitely more comfortable sharing the artist side of me. What is the main message that you hope to send out through the music you create? The main message I want to send through my music is just to be honest. I feel like we all relate in some way and I know every time I’ve been honest about how I feel or my thoughts not everyone has agreed but someone has related. When we’re honest with ourselves we can be honest with others and I just want people to always feel like we’re not so far apart. What's next for you? A lot and I’m so excited but nervous at the same time. There will definitely be more singles dropping this year with some dope visuals. Expanding my pen for sure as I’ve been writing for other artists and just experimenting with the music I create and the people I create with. I want to travel through as many experiences as I can and document them as best as I can. I just want to stay consistent and grow with my work. Instagram Twitter

Broadway star and recording artist Travis Cloer holds the WORLD RECORD with over 2500 performances over 10 years as Frankie Valli in the TONY and GRAMMY-winning Broadway hit JERSEY BOYS in New York and Las Vegas. With his latest album as a solo artist being deemed, “Riotously flawless pop-rock,” and know for the sheer brilliance behind it, Travis Cloer has also had three original singles hit the charts five times (iTunes top 40, 100, & 200 in the US, top 100 in Canada & UK). Riding the wave of his well-deserved, mass success, Travis Cloer returns with another single that’s sure to turn heads. “Standing Here,” is the intimate ballad that immediately sparks a surge of warmth through your very being. The striking chord progressions courtesy of the opulent guitar riffs performed have you probing into the comforting hues that Travis Cloer is known for. With mid-tempo instrumentation that seeps a reverberated vessel of simplicity, the eloquent nature of “Standing Here,” draws you towards the heartfelt soundscape that rests before you. Travis Cloer's songwriting techniques radiate illuminating tenors that are destined to tug on your heartstrings. There’s an inimitable poetic structure to the words he croons, as you gravitate towards the authenticity disbursed through genuine timbres of adoration. We’re truly captivated by the seamless cascade of Travis Cloer’s blissful harmonies that sweep the sound waves with good intentions. Dousing lyrical motifs such as, ‘Just sleep tight, and dream right, I'm right here by your side,’ in a nurturing, and blanketed approach that speaks for itself, we’re absorbed in the personal invitation that Travis Cloer sends out to his audience. Bringing his true self with all of its vulnerability to your speakers, authentic music with an earnest meaning is exactly what you’ll stumble upon when you take in Travis Cloer’s “Standing Here.” Listen to "Standing Here," here. Welcome to BuzzMusic, Travis Cloer. The entire soundscape of “Standing Here,” is so beautifully put together. Where did your inspiration spark for such a heartfelt creation? I wrote this song as a sort of bedtime prayer for my young kids right after they were born. As a new parent, I had to be in the room with my kids as they were falling asleep. Anytime I tried to leave, they would wake right up. So, I spent many nights with them and they could always count on me to be “Standing Here” whenever they would wake up. However, as I was recording it, I found the lyrics provided a more timely message as well. With all that we went through in 2020, this song speaks to anyone going through a hard time, feeling scared, feeling not enough, or alone. It says that no matter what you’re going through there will always be someone “Standing Here,” for you to lean on. It always helps when an artist has a great team to fulfill your vision in any way possible. Did you happen to work with anyone else to achieve what you set out to do with “Standing Here?" Absolutely! My producer and good friend, Grammy-nominated artist Frankie Moreno, is a vital part of my creative process. He produced my first album “HERE’S TRAVIS CLOER” also. His skills as a musician and songwriter are something I’ve always looked up to and his input on this project was vital. We first discussed the form of the song and what mood and message we wanted to set with it, then the magic took over in the studio. He’s a wizard there. The collaboration process with him is one of the things that I enjoyed the most with this song. We are both very passionate about music and I think listeners will be able to feel that when they listen to “STANDING HERE." With such remarkable accolades in your career as both a solo artist and Broadway performer, do you find any similarities or differences between the ways you present the music in each of these realms? There are different approaches for sure to being in a Broadway show or recording in the studio. On stage you can rely on many other things to help you tell a story; lighting, sets, the movement of your body. However, in the studio, you have to channel all of that into your voice alone. The thing that is important to bring to both, I find, is 100% honesty and authenticity. Whenever that is the focus of the art you are delivering to an audience, it will make its mark on someone every time. What has been the proudest moment in your artistic career to date? Joining the Broadway cast of JERSEY BOYS was a dream come true. I’ve wanted that since I started performing at an early age and to achieve that through hard work and perseverance is something I’ll always be proud of. There’s a different kind of pride and accomplishment though, from releasing a song that you wrote, that is 100% your creation. To hear the finished product of “STANDING HERE” fills me with such joy and pride every time I listen to it because it came straight from my heart and soul. Do you have any other releases lined up for the summer season? I’m always writing and working on new music. Summer music is some of my favorite because it's always upbeat, feel-good music. That’s what I like to write. I’ll be back in the studio for sure to keep the songs coming. Until then, I hope listeners can take the message of “STANDING HERE” and spread the love around in their lives. Our world can use that right about now. Instagram Facebook

Austin, Texas, duo 10pmtoclose hones in on sounds inspired by 80’s chart-toppers, 70’s Disco, and modern electronic. They transport quintessential, syncopated grooves topped with guitar chops, synthesizer layers, on-point bass, and dreamy electronic pianos in the way they have crafted a midnight aesthetic that fits between the high-energy dance floor and neon-lit back alleys. The vibrant escape of their latest seven-track EP, '10pmtoclose EP,' has us laced in an effervescent offering that trickles into futuristic elements while maintaining a nostalgic feel. Kicking off their deluxe creation with the “Versace Intro,” we hear a news reporter speaking on Gianni Versace as he proceeds to interview her about the impact she is making in the cutting-edge fashion industry. The importance of this classic audio recording speaks for itself as the placement has us eagerly anticipating the way this EP’s narrative will unfold through glimmering synths and pulsating percussion. We love how the elusive and atmospheric essence of the introduction gets us prepared for what’s to come in the charismatic, “Midnight City.” The beautifully spun progression of the instrumentation brings out a dance ambiance that encourages you to submit yourself to the music and allows 10pmtoclose to control the setting. Fixated on a resonated bass line that entices us with the funk-fueled elements embodied, we immediately take a deep dive into the layers of “10pmtoclose Ep.” Through a tantalizing vocal performance that is accentuated with the textured layers courtesy of a talk box, we appreciate how they emphasize specific lyrical motifs such as, ‘"Thought you’d have it all. Champagne and caviar. Midnight City." Following suit with the upbeat and vibrant soundscapes we long for, “Pat Swayze,” carefully lures us into a melodic masterpiece that derives from psychedelic tenors. Embracing the jaunty components that showcase luxurious energy, 10pmtoclose challenges you to sit still through this piece before they play upon the down tempos of “Different Parts,” where they channel their inner Daft Punk vigor. In a unique styling that has us nostalgic through electronic vocals and laidback instrumentation that could in fact be the soundtrack to our life, we admire the brilliance found in the passion-filled grooves, flooded with complexity and intricate hues. Reaching the blatantly reflective track, “Untitled,” we pick up the sassy appeal that touches down before us as the musicality highlights the forward messaging. Carrying forth enough attitude to burn the place down, blatant lyrics navigate us through an authentic revelation of an unapologetic persona. “You ain’t that fine,” is the lyrical motif that suggests this is the last straw for 10pmtoclose, and they’re tired of the antics. A prevailing threshold catches our attention as we tune into the purely instrumental song, “Galactic.” Exuding a dynamic dimension of complementary elements that seem to advance with thorough conviction the deeper you dive into this piece, we find that the ingenious soundwaves balance out the '10pmtoclose EP,' as a refreshing and intellectual narrative is placed into something so impactful. This is a piece of work that you feel more than hear, as the listening experience douses you in waves of syncopated grooves. Stimulating your mind in a way that has a sonic voyage unfold through your senses, you can’t help but float upon the convolution of timing and space ratios bringing you into a futuristic realm. Lush guitar riffs serenade our minds while pulsating synths highlight the peaks and valleys of this piece before us. Establishing itself as the perfect outro with formidable rudiments, “U + Me,” trails through the path of '10pmtoclose EP,' in a way that gracefully eases us into our final destination. We greet the classification of a sonic voyage, as we hold onto an edgy sense of ambiguity illuminated in completely new sounds that we have yet to be introduced to on this project. We encourage you to absorb the essence of '10pmtoclose EP,' as you tap into a newfound height that is thriving with imaginative tendencies. Welcome to BuzzMusic, 10pmtoclose, and congratulations on the release of the '10pmtoclose EP.' This entire body of work gave us something different as we took in a new story with each track. What is the concept behind this EP? It started with building our sound and an aesthetic that we like to call Midnight. Musically we live somewhere between the dancefloor and the back alley. Lyrically, we explore the glam and the grime of a lifestyle that may pay off big or bite back. How do you compare this release to other music found in your catalog? Did you approach it with a different mindset? It's our biggest and best project to date. A lot of our heart and soul is in this record. Do you happen to have a specific song that resonates with you more than the others? What’s your reasoning? “U + Me” was a special part of the process for us because the whole project really came together by the time we finished recording that song. It was the perfect way to complete the project we had just poured so much into. Could you please share a glimpse of what the recording process entailed? How long did it take for this EP to surface to the ears of the public? The project took about a year in total. We knew we wanted to use this “Miami in the 80’s” meets funk & disco sound, but we didn't really know where that would take us until we finished writing “U + Me." What are you hoping that your audience can take away from the messaging laced into this project? If you feel like hanging your head out of a white Ferrari Testarossa going 90mph down a sunset-lit highway, you’re on the right track. Instagram