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  • Jimmy T Shares his Side of the Story in "For Once"

    Although based in London, Jimmy T Hills, is a Kiwi singer-songwriter that finds his musical home in American roots. Jimmy T is stepping out on his own and bringing his rock n roll energy to his new introspective and personal songs. Like many musicians during 2020, Jimmy T set up his home studio to bring his new songs to life. Country and Rock n Roll music allow Jimmy T to share his experience of the world through his Americana-styled songs. At the same time, he basks in influences such as contemporary singer-songwriters and lead singers Nathaniel Rateliff, Butch Walker, Brian Fallon, and Brent Cowles. Eager to share the miscellany of new songs that he has been creating throughout the pandemic, Jimmy T returns with a fusion that is bound to have you falling into his enigmatic appeal. “For Once” taps into a Country/Rock mingling as the ubiquitous soundscape has you embracing a mid-tempo fusion of power. Each reverberated twang allows you to traverse the chambers of profound authenticity that Jimmy T shares in his delicately sung narratives. Although gentle with his vocalization, the ability of his comforting timbres to radiate has you keen to hear how “For Once” will unfold as it clasps on to your emotions immediately. The uplifting manner in which the music sheds an optimistic luminosity is truly striking in the development of “For Once.” The lyrical motifs stationed throughout this piece have another motive with the way that they tell a story of a never-ending cycle pulling Jimmy T to face the straw that broke the camel’s back in a relationship that is past its best before date. By accompanying the tones emanated lyrically and in the instrumentation, the relief factor gets kicked up a notch as you rejoice in the victorious tones this single displays as an urgency to move on comes to light. Jimmy T perpetually allows his audience to unite with him on an intimate level. As he continues to do so, he permits his vulnerability to open various doors in the realm of relatability. Giving us a taste of what’s to come, we’re ready for anything Jimmy T sends our way. Congratulations on the release of “For Once.” We love the structure of this track and how it plays out until the end. Job well done! You wrote this song and many more amidst the pandemic. What was it like creating out of your home studio versus going to a studio setting that you may be used to when recording? Firstly, thank you! It’s great to be able to create new music from home and share it with the world amidst the pandemic. This has been a bit of a learning experience for me but I think the biggest difference was the recording and mixing process. In my home studio, I am more limited in the quantity of recording gear that I’m using compared to the array of top-quality gear I’d have access to in a proper studio setting. I also found that because I was recording and producing myself, the process took a lot longer as I was the only one in the "studio"! But that’s not necessarily a bad thing because although I couldn’t bounce ideas off others around me it meant I could try different things within the song, then keep the good bits and get rid of the bad bits without worrying about running out of studio time! I’ve learned more from each moment in the home studio and ultimately I’m happy with how “For Once” turned out. Was “For Once,” shaped by a particular moment or story in your life? What does this song mean to you? Yeah definitely, it’s a song about the feeling of 2020 for myself and others around me. I started writing “For Once” around April/May 2020, which was a couple of months into the first COVID lockdown here in London. There was so much uncertainty around what was happening and a lot of speculation around when it might all be over and I was trying to capture the feeling from the conversations that I heard people having about the COVID lockdowns. The song had a few re-writes but I finally finished it in December 2020 when we were put into our third lockdown - that's when I finally felt I could finally articulate what a lot of us were feeling. It’s not meant to be a particularly political song or anything like that but it was definitely written out of the frustration that we were feeling about being separated from each other for so long. How did you find the creative process come to life when creating and recording this song? Could you please share a glimpse of what it looked like for you to bring this song to life? “For Once” took around 6 months to write with quite a few tweaks along the way, but the core of the song was written in the first writing session! I started with the opening guitar riff, which was written on an acoustic guitar, then I locked down the chorus chords and melody. But it was the verses that I chopped and changed quite a few times until I settled on the final chords, lyrics, and melody. In the early stages of writing the song I had it in my head that “For Once” would be a fully acoustic song, but when I started recording an early demo, I started to layer a few parts and liked the energy I was getting from a fuller band sound. So once I had the core of the song set in stone I filled out the sound with extra instrument layers until I was happy! Usually, when writing songs, I like to play them live to get a sense of how audiences respond when you’re in the same room but obviously, we haven’t been allowed to play gigs in over a year here so it's all a bit scary recording and releasing a song that hasn’t been “road-tested”. However, the reaction has been positive so far and I can’t wait to get out and play to live audiences again! What do listeners have in store from the various creations you managed to lay down throughout these uncertain times? I’ve still been busy recording and writing and I've got another song set for release at the beginning of May, with another in July! There will be an E.P release coming in the second half of the year too, but a date hasn’t been set for that yet. The most exciting thing is the UK is set to ease all lockdown restrictions on June 21st, which will mean we can once again play to live audiences! So I have lined up some venues and will be out playing venues again from June/July and be playing this new set of songs - both solo and with a band.

  • Marcelo De La Vega Strikes Up a Needed "Conversation" With His Latest Single

    Hailing from London, UK, the Australian/Argentinian artist, and singer-songwriter Marcelo De La Vega releases an anthem of acceptance with his latest hit, "Conversation." Also releasing an entire EP entitled 'Conversation,' Marcelo De La Vega delves deep into the emotive human condition while spanning his sound from alternative to pop. When asked about his forthcoming EP, De La Vega mentioned, "The EP was born out of heartbreak, inspired mostly by the end of a relationship... I wrote a lot about it afterward, and this record was me processing the whole thing." Giving listeners a glimpse of the project through the release of its title track, "Conversation," Marcelo De La Vega stated that the single expands on the acceptance of leaving a relationship with hopes of moving on and experiencing new things. While the instrumentation sings through our speakers with jazzy alternative undertones, De La Vega offers a heartfelt performance to emphasize his powerful message. Hitting play on the single, "Conversation," we're met with a snazzy array of drums and soulful guitar strokes. Once Marcelo De La Vega begins pouring his emotive and heartfelt lyricism through his passionate vocal stylings, the song drifts into this nostalgic Maroon 5 sound with help from the organic instrumentals and De La Vega's sweet-sounding hymn. De La Vega later brings us deeper into his aching emotions through vulnerable lyrics like "Feel so f*cking lonely, she said she miss the old me, don't know who I wanna be, let the world swallow me." While the supporting drums, bass, guitars, and piano help us float along with Marcelo De La Vega's comforting performance, the song drifts toward the outro while keeping us locked in for the relatable and emotional ride. Get your dose of vulnerability with Marcelo De La Vega's reflective single and title track, "Conversation," and find the rest of the EP on all digital streaming platforms. We genuinely appreciate the vulnerable emotions and relatable themes within your latest single, "Conversation." Could you describe the moment you felt compelled to create this emotional piece? I wrote the EP after a really confusing breakup at a time in my life where I was really just coming into myself as an adult, so I felt like I had a lot to process. Everything felt really all over the place and raw so writing this EP was part of processing that and I think in the end what came out was something that a lot of us can relate to, especially when you're going through times where we feel unmoored or disillusioned in life. We adore the jazzy/alternative instrumentation within your recent single, "Conversation" What sort of sound and feel were you going for when formulating the instrumentals? I like to experiment and find something that will really bring out the best in the track whatever that might be. When I was thinking about this EP, I just really wanted to make pop music that didn’t feel manufactured and had a level of musicianship at its heart, I think that sincerity in the use of real instruments parallels the sense of honesty you get in the songs, it hopefully feels down to earth and solid. Could you tell us more about the music video for your single, "Conversation?" How does the video highlight the central message within the single? The idea of the video was to have an element of absurdity with the clown and represent a lot of things in a way that wasn't super on the nose, so instead of representing the story in the lyrics literally, we used a clown and his relationship with his dog who is his only friend in the world. Just after we shot the video my dog (who acted in the video) actually passed away and it ended up making the video more meaningful for me, after having her for 14 years the feeling of being lonely without her was definitely really apparent to me, so that ended up being quite a weird parallel that I didn't expect! You've mentioned that your EP, 'Conversation,' is an ode to heartbreak and navigating your way out. Was it challenging to create this EP, seeing as it comes from a place of hurt and vulnerability? I think it was more therapeutic than anything, it was just about me processing what happened because it went confusing really quickly at the end with that relationship, so I think it was good for me to get vulnerable with it. I think that is a really healthy thing, especially as a man, we need to make sure we are in touch with ourselves and analyze our feelings and our relationships so we can keep improving and hopefully reach a point where we're really fulfilled in life. That's the aim! Instagram Facebook

  • Sad Son Says What We're All Thinking "Every Time"

    Perseverance, from the depths of depression to the daybreak, is experienced when one finally breaks through. This is what drives Sad Son. Singer Will Bragunier's unfeigned lyrics are rooted in his transformation from a chronically depressed teenager with a guitar to a thriving artist leading the happiest, healthiest life he has yet lived. Naturally, Sad Son's message is one of hope. Aspiring to instill hope in the hopeless and belonging in the lonely, Sad Son sets out to help others the way, so many bands have helped the band's creator. Definitively embracing a Pop Punk universe in the depths of Sad Son's most recent single, "Every Time," you're immediately feeling the power prevail from the chic, polished essence that trickles into a full-throttle display of angst raging from the progressions. "Every Time" has you gravitating towards the meandering exploration of the upheaval of guitar riffs and a jiving bass line that instantly pulls you into a nostalgic state of early 2000's Rock tunes. The momentum that carries this track in one fell swoop has you greeting the way your head bops to the tempo of the perfect times drum hits as they ricochet through the speakers in an enormous manner. Lyrically intertwining the songwriting with the musical arrangement, the lyrical motif hypnotically spun into the chorus stands bright in its unapologetic manner. "Last night, you looked me in the eyes and told me all about how I ruined your life. But, I don't think that I can be the one to blame when you gave up every time." Hearing those introspective words being conveyed by Will Bragunier signifies the vulnerability that he is unafraid to explore as he reminisces on the emotions that have left him haunted. Adding an upbeat essence to portray the buoyant factors of moving on, Sad Son will have you know that they won't be acknowledging the whoa is me storyline you put out for bait. We love your latest track, “Every Time.” It was the perfect blend of in-your-face charisma as you stand your ground in the messaging. What inspired you to take this situation and put it into the song that we hear? Every Time," that was written about those relationships where you break up and get back together whenever one of you gets drunk and sends a late "you up?" text. And inevitably break up again just a week later. One of my friends had been going through this cycle. It was turning into a pretty toxic situation where they would get back together and break up every two weeks. I had experienced a similar relationship about two years before and being empathetic to their situation put me in a place to write the song. Could you please share a glimpse of the creative process endured when bringing this track to life? How did each member of Sad Son contribute to the desired sound of “Every Time,” that we hear and love? I was sitting in my living room with an acoustic guitar and the melody for the chorus just popped in my head. From there the entire song flowed out of me in just a few minutes. I sent a demo over to the producers (100 Watt Studios in Charleston, SC), Aneel de Albuquerque (guitar & bass), and Devin Vaughan (drums). They then invited me to come in and record the single. Devin and Aneel are some of the most talented musicians I have ever met, so it was a pleasure getting to write with them. We went into the live room, played through the song twice, and Devin tracked the drums. From there, the song just came together. By the end of the day, we had a Single that I was super proud of. I then came back a few weeks later and we started tracking the rest of the record. The way they helped bring these ideas to life was almost magical. With musical inspirations such as Good Charlotte, Senses Fail, and Fall Out Boy, how do you allow their sound and message to influence the music that you create as a collective? I grew up listening to early 2000's emo/pop-punk bands. Being from Southern Maryland/Good Charlotte's hometown, everyone was all about that band. The first album I ever bought was Take This to Your Grave by Fall Out Boy, and my older sister's friend introduced me to Senses Fail. I think those bands really shaped my taste in music and led me to some of my biggest influences like The Starting Line, The Wonder Years, and The Menzingers. I think I connected with those bands because their songs always conveyed a message of hope. The way they talked about the harder things in life made me feel like I was not alone. In my own writing, I like music to be fast, loud, catchy hooks, and meaningful lyrics. If I help one other person with my songs the way those bands helped me, I will consider this project a success. What is the main message that you want your listeners to take away from the meaning behind “Every Time?" If you are in a bad relationship that seems like it is not working out, just leave. It is easier to rip the band-aid off than to drag it out. You never know what else is waiting for you around the corner. What's next for you? With the record out, I am really looking forward to the chance to play it in front of people (when things are safe). A music video will be coming out here shortly and hopefully a tour or two towards the end of the year. I have already written most of the next record and want to release it in early 2022. Instagram Facebook

  • Virtually "Falling" For Reid Zakos and His Latest Endeavors

    Whenever we're graced with the sweet stylings of Alberta-based Pop artist Reid Zakos, we know he's got something new and exciting up his sleeve, and his latest announcement is no exception. While 2020 was quite the challenging year for musicians everywhere, Reid Zakos made the most of it through releasing his debut studio album, 'Legends & Myths,' while also garnering over 100k views on YouTube. Recently releasing his smooth-sailing single, "Falling," and a follow-up remix by producer RedPanda Productions, Reid Zakos is ready to swoon listeners with his engaging live performances once again. As we continue our venture into 2021, Reid Zakos is excited to announce his latest virtual concerts, where listeners and viewers can tune in from the comfort of their own homes. Teaming up with Live Acts Canada for his first virtual show, you can catch Reid Zakos performing within the heart of Vancouver during 'opening night' on April 9th at 8:00 pm PST. The following shows on April 29th and 30th are a collaboration with youbloom, and will take place in Boise and Dublin. With tickets at $10.00 a pop, Reid Zakos is more than eager to get back into the live performing groove and take his crowd for an exciting ride once again. Tickets for Zakos' first show, "Little Mountain COVID Concert Series IV," are available at vtixonline.com - while tickets for the follow-up concerts are available at youbloom.com. What inspired you to get back into the swing of live performing once again? Well, this pandemic has been hard for everyone - there's no denying that - but artists especially have had to pivot and find other sources of income and take on jobs we never saw ourselves doing. While some artists thrive in a studio environment, I feel like I personally thrive the most performing live and the virtual shows offered a great (hopefully temporary) alternative. It's a way to still build my brand but it's also more inclusive in the sense that you don't have to be in the same city or venue to attend the shows, you can tune in from anywhere! Will you perform alongside any other acts during your three virtual shows? Yes, at the Live Acts Canada show on April 9th there are two other local acts Velavox and Auroras from Vancouver. The other shows include artists from New York, dolltr!ck, and Wave Magnetik. What pushed you to perform not only in Vancouver but in Boise and Dublin for your forthcoming virtual shows? Well, the show in Vancouver is put on through Live Acts Canada who I've done two (non-virtual) shows in the past. The other ones are put on through youbloomConnect - a company that curates virtual tours with usually 3 acts that play a string of 3 cities a month. It's nice because it helps open my music to new markets and hopefully attracts new fans so that when the pandemic is over I can go back and tour those cities and already have a fan base waiting. What should we expect to hear and see throughout your upcoming virtual shows? Might you drop any hints as to what tracks we should expect to hear? A lot of the songs have been covered here on your site before! When I was creating the setlists I wanted to find a balance of my most popular/most-streamed songs mixed with the songs that I love to perform the most. You can expect to hear my newest single "Falling" as well as my most streamed songs "Deck of Cards", "A World of Yes", "Smoke" and more. I'm also doing a cover of "Stupid Love" by Lady Gaga at the Vancouver show! I'm going to have a headset mic, the Richy Squirrel choreography from the music video, a pink face shield, and all! Gaga is my favorite artist to cover because her music always makes me feel so free and brave. I not only want to kill the "Stupid Love" choreo, but I want to spread the message of kindness and joy that's on Chromatica, especially because it brought me so much joy and hope throughout 2020. Instagram Artist Website

  • Apoll0’s “Infinite 444” Spreads a Message of Awareness and the Purpose of Life

    Experimental artist Apoll0 grew up from a young age with strong musical influences around him. Both of his parents were involved in the arts and kickstarted Apoll0’s fascination with music and sounds. After learning guitar and finding his own passion and sound throughout high school, Apoll0 has truly created a unique discography. “Infinite 444” is Apoll0's most recent release, one which breaks genre boundaries with Hip-Hop, Alternative, and R&B elements. His experimental sound includes spoken word elements that intricately describe the questioning and contemplation that goes on in one’s head on a daily basis. The smooth melody enters and Apoll0’s nonchalant and sedative vocals go on to lull the listener into a deeper state of consciousness. The beat that underlies the melody gives the song spirit and boldness, such that it will stick around in the listener’s head long after a first listen. Apoll0’s perseverance and determinant nature are apparent in the lyrics of “Infinite 444”, with lyrics such as “Patience is grace-land, without it you’re wasting the time left on earth”. For Apoll0, 444 symbolizes awakenings and awareness, a sense of purpose that Apoll0 has created for himself. This awakening is infinite, and he wants to spread this message to all who will have the privilege of listening. Apoll0 is in it for the long haul and will not stop working until his music can reach the attention of many. Congratulations on the release of your newest single “Infinite 444." What was the production process like for “Infinite 444?" Do you find that being extra involved in the creative process is difficult or rewarding? For this song, in particular, it was interesting because it’s the first time I feel as if I perfectly captured a certain feeling within a song exactly how I felt in that moment. So, the production behind it was quite fun and interesting and gave me a better insight into capturing that perfect sound in future releases. I feel it is very difficult but definitely rewarding. There is nothing more fulfilling than using your creativity in a way that brings something to life. That YOU bring to life. How would you describe “Infinite 444” to someone who has never heard an Apoll0 song before? What is your favorite element of “Infinite 444?" Infinite 444 is a creative story, and I hope anyone who listens can take from that story however they perceive it. The song has many elements, but nothing compares to the vibe you can feel as you listen. The intro gives off a weight off your shoulders type of feel, and in that relief, the beat comes in with the chorus in such a way that you can’t help but sway as the song progresses. If I had to pick a favorite element, however, it would have to be the voices and how you can at times hear all 3 separated giving the song almost an early A$AP vibe. How do you think your sound has changed since you first learned to play guitar? How does “Infinite 444” compare to your previous releases? I would say a lot has changed, given that I learned when I was so young. Rock, blues, jazz, hip hop, and many more genres have impacted me from my childhood till now, but since my time as Apoll0 I believe my sound has progressed strongly. There isn’t a comparison. Everything to come has a whole new production, and energy backing each song that some previous releases lacked. What advice would you give to a young artist like yourself who is struggling to push through in the music industry? Keep pushing out music. Don’t listen to everybody talking down on home studio either, as some of the most successful artists in this industry, and even those on the rise all got their start in someone’s basement or bedroom. If you feel you aren’t where you wish yet, remember that music is meant to be enjoyed. If you can’t enjoy your journey to success in all the ups and downs, then you’re doing something wrong. Keep pushing, always. Instagram Facebook

  • Up the Bar with Sacha's Music Video, "Standards"

    Hailing from Oshawa, Ontario, the Country artist and Singer-Songwriter Sacha raises the bar with her playful and inspirational music video, "Standards." In 2016, Sacha was crowned the winner of Havelock Jamboree's "The Next Country Music Star" while performing alongside Brett Kissel, Jess Moskaluke, and more. Releasing her forthcoming EP 'The Best Thing' on July 24th, Sacha mentioned that the project offers something everyone can relate to, whether it be escaping from love's difficulties to raising a glass to the good old days. Shot by Director Travis Didluck and produced by Ben Knechtel, the music video for "Standards" takes viewers through incredibly playful scenes of speed dating to find Sacha's perfect match. While delivering her refreshing country instrumentals, powerful vocals, and charismatic performance, we're able to understand why Sacha's "Standards" are so high. Opening the music video for "Standards" is Sacha pondering over a bulletin board with photos of three potential 'candidates.' While also transitioning between scenes of a contemplative Sacha to her spirited performance, the video grabs our attention and keeps us locked in for the outcome. Going from date to date, Sacha puts the three boys to the ultimate test, whether or not her sweet pup Trooper would warm up to them. To Trooper's dismay, Sacha is left crossing off each face on her bulletin board and continuing her fiercely independent journey until Mr. Right comes along. Find Sacha's music video for "Standards" on YouTube, and let the refreshing country artist remind you not to lessen your expectations for anyone. We applaud the idea and concept of your latest music video for "Standards." How did the video's concept and scenes come about? The message of this video is about holding to your standards when it comes to relationships. You’ll need more than a fancy car and credit cards to impress this chick. From speed dates to checklists, and even a puppy test where my dog Trooper is the defining factor of whether or not these guys are going to make the cut or not. Travis who directed the music video had come up with the concepts which are pretty much right on track with what I had originally imagined for this shoot. What was it like preparing for the shoot for your music video, "Standards?” Did it take a while to cast everyone and find the suitable directors/producers? Preparation for this music video shoot was a breeze, to be honest! Unlike my music video for “Cheers”, there were very minimal people on set and involved in this shoot. I’ve worked with Travis and Ben before so I knew I was in good hands. We had three male models who ended up making the cut out of a few agencies. Prior to selection, the candidates go through a screen test where I am then notified of the results and left to confirm the selection. My 4-pound Yorkie Trooper is also in the music video. No screening test required, one look at him and you know he’s a star! What was it like working with Director Travis Didluck and Producer Ben Knechtel during the shoot for "Standards?" How did they make the process easier for you? It’s always fun working with Travis and Ben. They’ve always managed to execute my vision and the process quite sufficiently. Always a good laugh in between takes thanks to Ben because he’s just hilarious! Travis always keeps me in the zone performance-wise and is always so encouraging throughout each take. They definitely make the process a no-brainer for me. Everything from start to finish is already mapped and timed out. From the makeup seat to the first scene, lunch breaks, and last takes, all I have to do is show up and turn up when they call to action! Should we expect to hear the single "Standards" on your forthcoming EP 'The Best Thing' on July 24th? Or does the EP travel a different route than the single? "Standards" is on my current EP 'The Best Thing' which was released July 24th of last year. It is the song that really took off on digital platforms, landed me my first top 40 on radio, and top 50 on the Billboard Canadian Country charts! What can we expect to see next? I love making music videos that will require new music! That being said I suppose you can expect to hear some new tunes from me in the near future! Instagram Website

  • Somori Pointer Hit the Gas Throughout 2020

    Releasing various bangers that got our toes tapping throughout 2020, the rock artist and singer-songwriter Somori Pointer takes us through last year's achievements and highlights. When looking back at 2020 through a musical lens, Somori Pointer mentioned that he was just as proud as he was humbled to reflect on all the music he was able to write, produce, and record over a year. Not to mention producing for a few other artists to be released through his production company Spaceman Sounds, Somori Pointer truly made the most of 2020. Getting into last year's released singles, Somori Pointer started the year with his hit, "X-Target." Formulating this song around an inner-conversation, Somori Pointer mentioned that he was forced to flee from his pessimistic past self in exchange for a new outlook. Following up this single with "Oblivion," Somori Pointer touched on a rather disappointing theme where humans offer a temporary legacy, similar to a paper or plastic-type of life. Moving onto the next single, "Gold Blood Queen," Somori Pointer offers a 'be careful what you wish for scenario while telling the story of meeting the woman of his dreams only to discover her dark side. Ending the year off with his reflective single, "Date Night," Somori Pointer asks questions surrounding the end of a relationship's honeymoon phase and how much these connections can endure. Discover Somori Pointer's released projects on all streaming platforms, and prepare yourself for many more conceptual endeavors as we settle in 2021. Hello Somori Pointer, and thank you for catching up with us at BuzzMusic. We're excited to chat with you about your highlights and achievements of 2020. First off, what did you take away from the unusual year, musically or personally? For me last year wasn’t as external as (total side note for later in this answer: it’s easier to be someone else). How did 2020 impact your music? Were your released songs in 2020 influenced by the unconventional year we've experienced? My songwriting wasn’t affected much at all by last year’s events really. I mean I did write and release a free song called “Nine Minute Nightmare” on my website immediately after watching George Floyd’s internationally broadcast murder. That whole day I was paying close attention to my own emotions and feeling extremely sad and disappointed. Sad, of course, for Mr. Floyd and his family; but more so for myself, because I didn’t feel anything inside. I have become so numb to those things happening that it almost seemed like a regular day, and that made me sad. And disappointed because I knew no substantial change was going to happen. What kept you inspired to create music during the peaks and valleys of 2020? Bingo! The peaks and valleys. Is there a particular achievement you reached in 2020 that you're most proud of? I started to switch my focus to writing and producing with other extremely talented artists. Finding a balance between (SomoriPointer) the artist and (Somori) the producer and the owner of (Spaceman Sounds ), a production company/recording studio, seemed to be the next logical step in order for me to keep evolving as a creative person. I can’t speak for other creative people, but, I know for me I am constantly searching for satisfaction mentally and physically and in order to do so, I had to look outside myself to get my fix. From all the songs you've released last year, which was the most personal to you? If I have to choose one song I’ll have to say my first single “ Oblivion “ it is a song that came back to me and those are always special because, in order for a particular sequence of melody and lyrics to be completely gone from my body and then come back after over a decade, the energy behind it must carry such a powerful message from the cosmos through me that I have to share it. If I hadn’t recorded and released it in 2020 it would have come back again, and again until I got it out. The lyrics say exactly what I wanted to say to our race ( humans ) at that particular moment in time. What other interests do you have outside of music? I’ve always had a love for fashion and science as well. Over the past year, I launched a clothing brand called Pirates & Prophets which is geared more towards the avant-garde side of the fashion fence. I started P⚡️P because I love leather jackets and I began painting them to use for show wardrobe, but in true Somori form, I collected way too many. That added to the fact that painting relaxes me and quiets my brain, let’s my escape. Pirates and Prophets are online people can find us on Etsy. I also have an affinity for good cigars but that’s another conversation for another time. What should we expect from you in 2021? Are you currently planning any releases this year? Yes, 2021 will hopefully be one of my busiest years yet. Since I am fortunate to own my own recording studio ( Spaceman Sounds) I had a backlog of demos, rough mixes, and a few collaborations, before this Covert-19 tragedy, so I’ll be releasing a ton of music through Spaceman and hopefully, us Rockstars can get back on stage and do what we do! https://linktr.ee/somoripointer Instagram

  • Juno Uno Illuminates the Importance of, "Sides"

    McKinney, Texas, is home to John Andrew Stallings, professionally known as Juno Uno. Beginning his songwriting exploration through various sounds in his teen years, he began with an acoustic guitar and quickly expanded his sounds to additional instruments and eventually found a natural voice and means of communication through the electric guitar and diverse synths. A brief move to Austin let him discover these sound palettes on a deeper level. It was there that he began writing profusely as he increased his musical vision through experimentation and focusing his energies inwards to determine his own countless realms of the mind. Juno Uno explores a rhythmic environment that feasts upon the style of 1980’s synth forward Pop in his most recent release of, “Sides.” The musicality that he exudes is an innovative alleyway of inspirations that tiptoe between musical eras as he incorporates a little something from the melodious genres before him. Emanating an otherworldly performance in the way that he positions each lyric he delves into, the longing in his vocals has us tracing the lyrical content thriving in a dazzling use of space. “Sides,” has us tuned into the reverberated echoes of Juno Uno’s vocalization as he is sparse with the abstract story he conveys. Allowing the instrumentation to fill in the spots where he chose for lyrics not to reside, the pacifying hues wash over us in an instance. Joining forces with Red Zeppelin Records in order to release a song of this caliber, Juno Uno has us pulled into the psychedelic ambiance that has our head high in the clouds. Authentic with the vision he portrays, Juno Uno understands that the sonic exploration we choose to embark on with him has the destination of dreamy utopia. Carrying forth a soothing juxtaposition, Juno Uno reiterates that there are various sides to each story brought to light. “Sides,” has us feeling all types of ways. Nostalgic is the main take away though! What is the story depicted in “Sides,” based on? What does the song mean to you? It's really about moments of divine love between us that resonate through time and leave iconic tastes of pure soul expression. Timeless is an attribute of mysticism especially in music so that likely explains the nostalgia mentioned. How long did it take you to create a song of this caliber? Could you please take us into some highlights from the creative process? In total, from original inspiration to mastered studio recording I’d say the process took about 6 months of creation, refinement, and networking. When I created the first demo version I was living in an apartment with hip hop and electronic artists and I painted all day. A very fluid creative process. What type of impact are you hoping “Sides,” has on your listeners? Is there an underlying message that is woven into the abstract words that we hear? I hope "Sides" has an enlightening psychic impact that opens listener’s minds to the synchronicity going on everywhere all the time. To connect the listener with the vibe the music carries. Yes, there is an underlying message. I’d even say there are multiple messages. Infinite really. As far as I can tell, the world is expanding and went through a big growth recently. The song depicts my journey accepting the mystic reality I’m waking up to. In terms of memorable experiences from your journey with “Sides,” what has been your biggest takeaway from the entire process leading up to the release? The main idea I can take away from this process is to trust my personal talents and to accept the help and love offered from around me. What would you like new listeners to know about you and the music that you create? Make music to open portals of love to connect us spiritually. I want everyone to grow together and spread positive vibes. Instagram

  • Cake is Nothing Without the "Icing," and Teniele G. Proves It

    Hip-Hop/R&B artist Teniele G. is hyping up her fan base with the release of her highly anticipated EP, ‘Known to Love R&B.’ Chiming into nods of 90’s R&B, the four tracks featured on this project showcase her undeniable vocal talents on a broad spectrum. Tapping into the melodically poignant essence of the single and music video “Icing,” Teniele G. enlists the artistic panache of Sincerest Don in order to fulfill the enigmatic soundscape at hand. The minor chords that are performed on the piano have us enticingly entering the soothing universe of Teniele G.’s talents as we take a sip from her whimsical creation spread throughout “Icing.” The manner in which her buttery vocals pour out lyrics stemming from a place of love and depth is truly remarkable. Adding the warmth and energy of Sincerest Don to the concoction of lulling melodies, and we find ourselves swarmed in a perfectly balanced concoction that offers both Hip-hop and R&B. As you fixate upon the laidback visuals at hand, you find that the fluidity that weaves throughout the film and auditory components match one another in passion, allowing the experience to be comforting as you embrace the realm of adoration that Teniele G. gracefully guides you through. The intimately shot scenes showcase Teniele G. fervently saying her piece through the songwriting techniques she exudes as we see her performing to the camera in various settings such as a restaurant, fairground, and the mall. “I’m the icing on the cake baby,” continues to pull us deeper into the chorus as we see Teniele G. eyeing down a piece of cake in the bakery. The perfect touch to have everything syncopate in unison. If you’re enthralled with the sounds of nostalgic R&B tenors, then don’t think twice before taking in “Icing.” Teniele G. is sure to have your mind transported to the depths of your own love life in mere moments. Congratulations on the release of the single and music video for “Icing.” We love how intimate this song is! What inspired you to create a music video to accompany the sweet resonance of this track? Thank you! I thought it would be great to team up with my brother Sin for the first time. We were finally able to get a song done and I wanted to show love to the producer who gifted me the instrumental. Could you please share what it was like on the set of the “Icing” music video? Was the concept that we see always what you envisioned for the visual component? Absolutely! We started shooting early in the morning in Arlington, VA. I found a location called Sidekick Bakery, which was part of a restaurant called Ted Bulletin and it was perfect. We were able to shoot in the back of the restaurant in private and ordered some delicious chocolate cake that I ended up eating for breakfast. We then went to the National Harbor to a candy store called It’s Sugar; if you know me, you know how much I love candy! We had a lot of fun on set and our brother Big Mars was there supporting us throughout the day. I actually brainstormed the concept the night before actually shooting the video. My schedule had been hectic and then I was given a specific day to shoot and I just locked into making sure it went exactly how I wanted it to. I loved the end result. We love the dynamics that both you and Sincerest Don share on “Icing.” How did this collaboration come to be and what was it like working together to create magic? Big Mars and Sincerest Don are always at our home studio. One day he and Big Mars were on IG live while I was somewhere else and I tapped in. Jokingly, I told them they were always in the studio when I wasn’t there and I asked Sin when was he going to do his feature for me. He said, “Sis, I’ll have it done by the time you get home.” It was that quick and I knew it would be a perfect fit to have him on the song. What can listeners expect from the other three songs heard on, ‘Known to Love R&B?' What does the overall project mean to you as the creator? Listeners can expect to hear a nice smooth 90’s R&B vibe with a splash of hip-hop on track two “Do You”. My brother Big Mars helped me wrap the EP up with the last track titled “Letting Go." As a creator, it was definitely a check off my list to release an R&B project. I wrote track one and three roughly two years ago and I saw my growth when I re-recorded them. I knew it was time to let my fans hear what I’ve been working on. What's next for you? I’m debating if I want to put out a full R&B album, but in the meantime, I’m enjoying and focusing on promoting my latest EP and music video. Instagram

  • Kiss the Dark Days Goodbye in "Summer's Gone"

    Melissa Mills has a knack for serenading her audience with sweet harmonies and powerhouse vocals. The Boston-based musician creates a vocal landscape that has you sinking deeply into a groove, as her tactful melodies and gentle harmonic approach amalgamate R&B Pop beats in order to fashion a comfortable flow of ease and beauty into the music she creates. The ethereal soundscape of her latest single, "Summer's Gone," has us elegantly dwindling in the reverberated timbres that Melissa Mills amiably provides to her listeners. As you catch your bearings while taking in the profound hypnotic trance that "Summer's Gone" washes over you with, you find yourself focused on the ardent core of Melissa Mills infiltrating the speakers while the pulsing thunder of the bass line in the instrumentation transitions a melismatic flow and to have it authoritatively demanding your attention. Melissa Mills emits an elusive seduction as she traces over each intimately featured word in the lyrical structure of this single. The lyrical motif that sums up the true essence of "Summer's Gone" is, 'I'm coming into my own again;" six words that pursue a powerful utopia ventured on the journey Melissa Mills faces after encountering a broken heart. Sending us into a reflective state, the thesis that surfaces through the emotional experience relayed is not meant to focus on the adverse tenors but instead to remind us that through the rough days, we're all okay in the end. Absorb yourself in the striking ballad "Summer's Gone" that Melissa Mills confidently provides while you passionately feel every ounce of emotion run through your body. Congratulations on the release of “Summer’s Gone.” The emotional journey that this song emits is remarkable. What was your inspiration behind the lyrical content heard in “Summer’s Gone?" The lyrics "I'm coming into my own again" were written in response to the journey of finding myself after a breakup. Summer's Gone reflects on tough days by reminding ourselves that ultimately we are ok. I was inspired by the dark days of not wanting to get out of bed juxtaposed with days I felt free. Realizing that freedom was ultimately where I want to be. How would you describe your recording and writing style? Do you find your process to be a one size fits all type of process? My writing style tends to stem from a stream of consciousness. I like to hit record and just flow with the music. My friends/producers Scott and Joe create awesome beats with me in mind, and when I receive them I like to think of a general topic and just start singing. Summer’s Gone was written this way and most of the melody is from the original stream of consciousness run. What was it like working with Scott Bowers, and Joe Eldracher in order to achieve the musical portion of this single? How long did it take for the tantalizing sound of “Summer’s Gone” to be created? Scott and Joe are absolutely incredible to work with. Scott has produced my other singles, and I’ve been extremely lucky to have met him through hashtags on Instagram. Joe and Scott have been friends for years, so coming together with them has made all the difference for my music. Both play an array of instruments and have been honing their production skills. Summer’s Gone went through 8 mixes and I was a bit pickier with this one than a lot of my other songs. There was a specific feeling I wanted the harmonies to give, and I really feel we achieved what I was going for. How would you say that the depth conveyed on this single compares to your messaging relayed in other songs featured throughout your music catalog? How important is it for you to be vulnerable in your music? Summer’s Gone is the most honest I’ve been in one of my songs. In years past I had a lot of self-doubt about my lyrics and what I wanted to say. While my previous single, Lose My Cool, begins to explore the unhealthy relationship I often have with myself, Summer’s Gone takes things a step further and really checks in with what I’m feeling. Writing about not wanting to get out of bed, shirking responsibilities, wanting to be alone, really began to open up myself to say more. In my coming singles, my vulnerability shines through even deeper. I find that it’s important to find relatability while still staying true to myself. Instagram Facebook

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