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For the Toronto-based Alt-Pop artist Sam Louis, the honeymoon stage of a relationship amongst the wonder and spectacle found within The City of Angels became the inspiration for his newest single. This sonic architect has been occupied writing and refining his second record, "8 Ball," since early this year, and to heighten the anticipation of its upcoming release, Louis renders up his lustrous vocal tones, over a wholesome low-end, and a magnetic top-line to produce "Shiny,"—his own joyful gyration over the radiating Pop aesthetic swallowing up all the vibes of 2020. On "Shiny," an exuberant radio-cut featuring Shayan Amiriof as the master-mind producer, and N.Y. Mastering Engineer, Mike Tucci (Chris Brown, Young Thug), Sam buzzes over mystifying, and wonder-producing synths amidst the clatter of modern production that induce an immediate rush of intoxicating Summer ecstasy. The track was designed to hook you over the melodic inclinations found throughout this songster's captivating catalog, and he radiates over the harmonies in the chorus when he sings the hooking lines, "you keep heating me up, like an L.A. Summer." As the whirl of 16th notes tosses over the hi-hats, the punchy rhythm of the kick fuses with layers of chopped-up backing vocal harmonies, and an upswell of filtering pads that carry us onward as we sway along to the effervescent musical experience. The Pop-based production ultimately forms an infatuating backdrop for Sam's alluring melodic delivery; he describes sensual moments within the bustling nightlife of L.A.'s city streets utilizing enamoring descriptions that land health in our core. Tapping into both the intoxicating energy of Alt-Pop and Shayan's cohesive production arrangements, "Shiny" is a gleaming teaser for the long-lasting after-glow we can expect to find in his upcoming E.P. expected to drop later this year. Can you start by telling us what the experience has been like working with Shayan, where you write and record your vocals in Toronto, and he produces the beats over the Border? It’s been a pretty dynamic experience for sure but one that taught me a hell of a lot. This was the first record where I recorded my own vocals in my bedroom. Shayan virtually walked me through a few presets and plugins that he usually uses in our sessions and then I locked myself in my room until everything was tracked. It’s a little different when you’re running your own session, especially with vocals you have to be able to be your own critical yet motivating producer and constantly ensure you’re getting the best takes while maintaining the proper performance energy. It was an eye-opening moment for myself and one that showed me how much I truly love the recording process. Meanwhile, over in LA, Shayan had been working his magic, shaping this starry-eyed 80’s arpeggio, into something bigger. After a few remote mixing sessions with him, we started to get a glimpse of the lo-fi summer track you hear now. It’s interesting because growing up, I got to witness all these incredible BTS studio sessions where you’d have the Beatles or Michael Jackson writing and recording revolutionary records in the studio. As an artist, I always crave that true studio experience, but I think with Shiny we got pretty damn close to recreating that similar studio atmosphere virtually. Can you recall some of the most crucial moments for your artistic development this year, especially leading up to your second Extended Play? This was a pretty critical developmental year for I think every artist and even society in general. Coming into 2020 I had just finished releasing This Love, streams were continuing to flood in but I knew I had to continue to innovate and understand my sound. I began to start co-writing with some incredible musicians around Toronto and in Los Angeles. I wanted to take the time and lift the pressure off creating and writing and just build an arsenal of new songs that I love and represented who I was and what I wanted to say. When COVID hit back in March I was in Los Angeles preparing to meet with Shayan to record the vocals for Shiny. Things began to escalate with the virus and the recording session had to be postponed, and unfortunately, that meant that Shiny had to be put on hold. Instead, I hid out in an LA rehearsal space and started playing piano for a few hours, I was bummed and with everything going on around me I thought it would be hard to be creatively fuelled but it was actually the opposite. This is when the acoustic version of This Love came to be, and thanks to the beautiful aliens of Spaced Visuals, we were able to put together a live recorded performance just before I flew out back to Canada. When I got back, I knew I had to find a way to record Shiny even in this Pandemic, I had a few virtual writing sessions with Shiny’s co-writer/hit junkie Andrew Bontempo and we reimagined the song, chipping away the parts until it really started to shine. At the same time, I was working with Shayan to learn proper vocal recording techniques for pro-tools in hopes of recording Shiny myself. This really opened my eyes to the back end of the release process and gave me a newfound confidence in vocal engineering and editing. Where do you channel your inspirations from creatively, and how do you keep things progressive and innovative throughout that process? This was such a rocky year mentally and emotionally for the world but I think can end up being one of the biggest creative and innovative revolutions. Being locked down and in quarantine for the first few months of the pandemic changed how I viewed music. During this time, I actually fell back in love with the art and creation process. I took my acoustic guitar from the basement and brought it up into my room, this allowed me the creative freedom I needed. When I had an emotion that I had to get off my chest, that guitar stopped being an instrument and felt more like a convenient paintbrush. I felt like I was back in high school again, coming home around three watching Much Music and looking up Sloan and Green Day solos. I began re-investing into guitar, I purchased a new electric and wrote more songs than ever before on it. Different songs, because with a guitar the rhythm of your melody is shifted than on piano, I began finding that original voice of mine. I used to write so much on guitar growing up but stopped because I became more proficient in writing with a piano as I got older. These new inspirations and songs that I was building kept circling back to a more 90s/2000s aesthetic, pulling at influences like The Red Hot Chilli Peppers and Foo Fighters, I wanted to expand on the styles they popularized and I think in the new music coming out you’ll hear those anthemic melodies lit up in a new light. Could hint at the theme or narrative you'll be manifesting on your upcoming Extended Play, and maybe a few sentiments relating to the work you've already into its development? As an artist, I’m always thinking of themes and constantly trying to intertwine concepts so they can resonate not just with me but a mass general audience. The idea for the next album started to shape itself over time. After playing a game of pool with my buddies back home, we were down to the last shot and there was only the 8 ball left. That one object emanating so much power, and such a manic difference in outcomes. On one side that ball resembled victory and celebration and on the other complete loss and regret. Sink it too early and the games over or take too long to sink it and miss out. This one object having so much weight to it, a moment of make or break, life or death, really echoed out to me. I couldn’t help but compare my music career and point in life to it. This past year I’ve felt like I’ve been juggling this line, creating songs that speak about points of no return, full highs and complete lows, and how dramatic each side can be. I’m taking my time to make sure this next album is everything it needs to be; the right music, the right feeling, all need to happen at the right moment because if this is my 8 Ball, there’s no going back. What has been keeping you inspired in 2020? The world around me usually inspires my creative energy and artistic flow, but this year the world was in a different state. So I began to pull my inspiration from friends and family that surrounded me. Stories and experiences that we’ve shared and new hopes of how to get through one of the toughest years for our humanity. I’m lucky enough to have such a beautiful, genuine, and talented pool of support. My momentum for this year was fuelled by the passion of those same family and friends, their constant grind pushed me to not only move forward but to branch out and discover new opportunities. In a year of stolen opportunities, it’s up to us to take on those new challenges that we thought were impossible and work towards the possibility of achieving them. If 2020 did anything for us, it has made us a more resilient and determined culture. One that gets back up when they’ve been knocked out of the ring. instagram.com/samlouismusic samlouis.com #BUZZMUSIC

Youthful artist Anna Duboc has already garnered quite the track record for herself and established a delicate, yet powerful reputation as a music artist. Attending the Adderley School of Performing Arts, Anna Duboc has further established a solid theatre presence within the industry and honing in all of her artistic skills, she's able to find the inspiration and drive to create her emotionally-driven music. This sort of drive pays off, as Anna Duboc's recent music has already been featured on shows such as God Friended Me. What we get from Anna Duboc's is intimate, real, and pure in many aspects, and her recent song release portrays this in the most fitting way. Anna Duboc has released her beautiful composition, titled "Ballad". Anna's approach to the song is classic and traditional, yet she still maintains her own personable flair. Many elements of Anna Duboc's personality are able to intimately shine through during "Ballad", and listeners are exposed to her honest truth. With the soft and warm piano infusion, Anna Duboc's vocal range is complemented in a beautiful way, which ultimately highlights the best aspects of her vocalism. Anna Duboc lives up to each and every emotion within a song, and "Ballad" proves it. Listeners are brought along the journey of love, and the heartbreak that accompanies it. You can feel the potency of each feeling intricately embedded into "Ballad". The video provides an extremely intimate performance, where Anna keeps it unplugged and sings illustriously. The most goosebump moment in her performance would have to be the ending, where her highest pitch blossoms and unveils itself effortlessly. Tune in to Anna Duboc's "Ballad" to find what other goosebumps moments you'll experience. As a young music artist who already has a long resumé within the industry, what kind of advice would you give to other young artists that are attempting to grow within the music scene? Practice and enjoy what you do. "Ballad" was incredibly intimate. How would you describe the technique you took toward this song compared to other songs/covers you've released? I wrote this song in January when I was still going to school and before the pandemic. It was very personal to me and was actually hard to perform because the feelings are so strong. This song wrote itself really, from true emotions. Was there a certain reason or thought behind the visuals within "Ballad"? Do you prefer to keep it intimate with the type of performance you record? I originally had another concept for the video, but since we can't really make videos with full productions right now, I am just setting up a camera in the studio, and with my mom's help, we are recording the video and music in a live setting. Usually in one or two takes. What kind of future work are you looking to undergo within your own progression as a music artist? I have many ideas for songs with guitar, so I am learning guitar. I am doing more of my own writing, but I also like covering great songs from time to time. What has been keeping you inspired in 2020? My friends inspire me, and the hope that life will go back to normal soon. I really love being with my friends. instagram.com/annaduboc annaduboc.com #BUZZMUSIC

From Liberia to Pennsylvania, the triple threat Angel Dweh drops fire with the release of his scorching afrobeat single, "Kokona." Garnering the Afro-Prince nickname through his captivating vocal performance, Angel Dweh's Afropop music brings any listener deep into the irresistible rhythm and groove he skillfully portrays. Also merging other genres like R&B and pop into his sound, Angel Dweh brings authenticity to the forefront with each intoxicating release. His recent single "Kokona" brings a flashy modern feel with the song's crisp production and Angel Dweh's melodic and skilled vocals. Creating a track perfect for the nightclub scene we frequently reminisce, Angel Dweh reminds us not to lose our rhythm with this catchy afrobeat banger. "Kokona" brings an incredibly familiar flair right off the bat. The introduction to the track brings these surreal trap elements through the use of synths and sub-bass, almost giving a salute to the late Pop Smoke. Once the drums kick in, the track shifts into this Afropop/afrobeat atmosphere with the dynamic and textured percussion arrangement. This upbeat and highly danceable track brings the listener intense vibes through the energetic and playful atmosphere Angel Dweh effortlessly portrays. "Kokona" unleashes a heavily intriguing quality that captures the listener into Angel Dweh's alluring and irresistible groove. Hello Angel, it's great to catch up with you here at BuzzMusic. You have clearly been busy since we last chatted. What inspired you to create this dancefloor anthem with "Kokona?" I gain inspiration from my Liberian root and the music that is played in West African today. And Kokona is a female and in the song, I am describing her body and the things she can do on the dance floor. Do you usually release such energetic and upbeat music? I love to release music that people of all ages can connect too. Also, making my release energetic and upbeats it to get everyone on their feet to dance but also have a great vibe. With regards to the single's overall production, what sort of tone and atmosphere did you want to be delivered on "Kokona?" Did you have any influences when shaping the song's overall feel and style? Actually, the tone and atmosphere are a love expression, I want fallers to be able to talk about their women in a sexy positive way. Also, I want women to feel the need to appreciate the love expression from their male partners. I have influences from Afrobeats/Afro-pop and Contemporary R&B. Seeing as you're not only a triple threat, but a songwriter and composer as well, what made you so driven to go through with all these endeavors? How do you find a healthy balance between your jobs? Honesty, I am driven by my love for music, and being able to write and compose. As an artist, writing, composing, and being a college student I find it amazing that I can do these things.  I find a healthy balance by focusing my craft, and doing things such as working out, visiting museums, reading books, and spend time with my family, doing all of these things. They all in some form have inspired me to do what I do which is to write songs and compose. How do you plan on maintaining your nickname of the Afro-Prince? How will you keep your audience engaged and entertained during the near future? Maintaining the nickname "Afro-Prince", first I will love to say to everyone that is calling me the Afro-Prince, I appreciate the name, the love, and support. But maintaining the name means that I have to more to the Afrobeats music and the culture along with my sound. I look to keeping my audience engaged and entertained by live performances, radio interviews, and also through visual content on my YouTube Channel. instagram.com/angeldwehofficial facebook.com/AngeDweh #BUZZMUSIC

Roxanne is the Canadian songstress making a name for herself in the Contemporary world and Pop amalgamating corner-posts of the Music Industry. Spinning together touchstones from genres diffusing the lines between Soul, Blues, Soca, and Afro, the Ottowa-based chanteuse has seen the release of two well-accepted singles thus far, and her captivating artistic presentiments are blessing us once more this month. With a soulful Tropicana vibe that paints this Tropi-Pop canvas, a blithe shade, "Move Yuh Body," summons nostalgic vibes that channel Disco nodding synths and a 'four to the floor' soca backbeat that makes us want to dance. It's an adventure that finds our singer scintillating between heavy-slapping hand-drums that adorn this club sized mix its world-music aesthetic. The most encouraging part of the track transverses the lines through monotonous and lands skillfully as infatuating diverse; and she wins us over with her hook's melody when she sings, "let your body lose control and shake it some more!" Roxanne buzzes over her words with a sassy twinge, and as we dance along, she conducts us with her lyrics effortlessly: "get that body pumping, get your feet jumping, get that booty popping." It transports us into an intoxicating state where we're captivated by her spectacle as the expanses of "Move Yuh Body," chug and pump the blood back into our bosoms. The experience renders like a savory testament to the impact we can expect on Roxanne's World-sized Pop music productions. Hello Roxanne, it's great to have you back with us at BuzzMusic. What has been the most fulfilling thing about becoming your own artist, independent from the Music ensembles you've been a part of in the past? The most fulfilling facet as an independent solo artist is having the freedom to be as creative as I want by having the latitude to put out whatever needs to be expressed within me without being limited to a specific music genre defined by whichever Music ensemble I’m working with. How do you bring together all the cornerstones of your far-reaching Music genre influences in such a cohesive and blood pumping manner on "Move Yuh Body"? I love to dance. I love listening to various music genres and have extensive experience as a singer-songwriter, performer, and recording artist in multiple music genres, I've honed in on musical elements and influences I like in dance, electronica, pop, and afrobeat music genres, and fusing those together in "Move Yuh Body", with the intention to create a space for listeners to have ultimate dance experience. What will your approach be to keep your upcoming debut album, "Love Rebel," adhesive in the way it flows and blends from one song to the next? The songs of “Love Rebel” were written in the same time period; therefore were inspired by a unified sound. The songs featured on the "Love Rebel" album will appear in a chronological sequence unraveling an entire love journey, which will be adhesive from a lyrical and conceptual standpoint, but also adhesive from a sonic perspective as in each love journey, there is an emotional mixture of highs represented by upbeat songs and lows represented by songs with a chill vibe, ultimately creating an authentic flow that is "Love Rebel". Can we expect to see you collaborating with any exciting artists, producers, or visual artists, and are there any plans for a Video feature? I'm always looking to collaborate with multidisciplinary artists, and yes, I'm planning some exciting projects for the future which will be shared with fans once I can make these collaborative projects official, but for now, I can confirm that my next collaborative project will be a music video feature for "Move Yuh Body" coming soon. What has been your biggest source of inspiration for your music throughout the tough times the world is going through? Considering these tough times gave me more opportunities for introspection as a result of all live music cancellations, I connected even more deeply to that place inside of me that is true, and that expression of truth brought solace which is reflected in the type of music, style, and sound that I’ve been creating during the quarantine. No matter what tough times life brings, I believe that every song is the silver lining that shines in the dark, and that is the reason why I continue to write music and share my music with others. instagram.com/roxannesrhythms roxanne-music.com #BUZZMUSIC

Hailing from New Zealand, Suza is a blossoming singer and songwriter who wins over her fans with both musical and personal transparency. She has navigated the bumpy road of 2020 by not allowing herself to become caught up in the whirlwind that is life. She has used her time to slow down and think, create, see, and feel. Suza’s recent awakening of personal awareness is shared through her passion-driven music – and is seen in her debut release “My Moon and My Sun.” Suza tends to produce songs that fall under the same genre, but she displays her musical versatility with the tone of each song; some are darker, some more upbeat and some are very chill. A highlight of Suza’s musical production is her alluring and untouched vocals that easily captivate the listener. Her authentic sound comes from the passion she puts into her voice; achieved through her ability to be truly present during the recording process. instagram.com/suzamusic facebook.com/musicsuza #BUZZMUSIC

Pittsburgh based Alt-Rock project Men's Apparel releases their heavily passionate and transcendent single, "Two-Tone Lover." Consisting of sole member Nick Korzi who does all of the songwriting, production, and arranging, he's been impacted by artists like Lee Hazlewood, Scott Walker, and Lana Del Rey to reach his serenely haunting sound. Developing a knack for melancholic undertones and dense instrumentals, Men's Apparel's latest single "Two-Tone Lover" brings this overwhelming Arctic Monkeys sensation through the intense atmosphere, while spicing it up with Lana-like soundscapes and pads. That being said, the end product that is "Two-Tone Lover" is incredibly unique and rich in raw passion and unrestrained emotion. Men's Apparel begins "Two-Tone Lover" with a mystical and nostalgic approach from the jump. While the mid-tempo beat serves perfection for Nick Korzi to serenade over, an intriguing bass line and supporting alternative instrumentals liven up the song to be incredibly passionate and heavy. Everything from Nick Korzi's low, charming, and profound vocals to the captivating string soundscapes brings vast clarity that will inevitably rub off on the listener. Men's Apparel and their overall sound are so intriguing within this single; Nick organically makes listeners question what's not serving them anymore while inspiring them to chase what their heart desires. Men's Apparel has shown true skill and talent with the overall atmosphere they've delivered on "Two-Tone Lover," and we can't help but keep the repeat button on for this track. Hello Men's Apparel and welcome to BuzzMusic. What inspired the concept and storyline for your single "Two-Tone Lover?" What was your songwriting process like when crafting the lyrical storyline? I think as a songwriter, I strive to be as universal as possible while still embedding some personal storyline stuff into the mix.  I think that it's a scenario we have all been in; a companion that is hot one day, cold the next.  A few lines came to me while I was playing the chords out; I think "'cause you like to be the one to trouble me sometimes, then pull me back in your arms" was one of the first lyrical motifs that came along.  From there, it's a little bit of imagery here and there and a little bit of personal perspective on those sorts of relationships. Seeing as you solely lay down the production and arrangement for each song, which fundamentals did you start with when creating "Two-Tone Lover?" Did you lay down a beat to start off with? The scratchy guitar riff is what came out first, and then the chorus melody; almost simultaneously.  I've been fiddling with that kind of rhythm for a few years now, and so finding an application for it is always exciting.  Then, I think I used a drum machine I had lying around to etch out a rhythm, and that was that. Since you're the sole member within Men's Apparel, do you find it easier to finish a piece now that you're the only one who has a say in the process? Do you think you might collaborate with anyone in the future? I think it's the opposite, actually.  Knowing that I can just change something anytime I want causes me to second guess a lot of things and having essentially as much time as I need makes me a little lazy.  I think accountability is key; holding myself accountable is difficult, though.  Regarding collaboration, I think that my ultimate vision for Men's Apparel is to be a communal thing.  Yes, I want to be in control of production and vision, but I don't want to shut the doors off to others.  There are a tone of instruments I can't play and parts I can't sing, so why not bring in those that can do those things. What initially pulled you into creating these heavy and somewhat melancholic atmospheres? How have your musical influences impacted your approach to songwriting and creation? I think it's just who I am in a lot of ways. Those that are close to me know that I am a bit nostalgic and a bit romantic (not in the valentine's day way; more so the adjectival way).  I've always been drawn to pieces of music that slather on melancholy (Liebestraum No. 3 by Franz Liszt and Nocturne No 9 in E-flat by Chopin are two very early examples of this for me) and/or have an orchestral basis (Vertigo Soundtrack by Bernard Herrman).  Then my uncle recommended Scott Walker and Lee Hazlewood which was the best of both worlds, and then I built off of those foundations.  Modern-wise, Frank Ocean, Last Shadow Puppets, Lana Del Rey all helped with the soundscapes.  I could go on and on about this. What can fans anticipate to hear next from you? Well, I am going to try to start an acoustic video series while I continue recording my debut EP, which should be out before years-end.  At least one more single, a number of videos, and an EP by 2021 (fingers crossed). instagram.com/mensapparelmusic mensapparelband.com #BUZZMUSIC

For those readers who aren't familiarized yet with Californian artist Julian Sameshima, it's probably time to get comfortable with his dynamic music offerings. Julian Sameshima is the kind of artist that integrates many genre styles with his light-hearted approach to vocal performance. Emulating feelings of peace and gratitude, Julian sings about topics personalized to him, and really strives to convey his most vulnerable emotions. With an evolving music style, Julian Sameshima finds importance in enriching his sound with any type of influence he receives, and that's most definitely an aspect of Julian's music that allows it to feel as versatile as it does. Julian is the type of artist that sources out opportunities consistently and creates opportunities if none are found. During the past few months, Julian has only continued to expand his knowledge as a music artist, including learning more about guitar, as well as the productional effort behind curated music videos. All in all, Julian Sameshima is one artist to keep yourself updated on, as his music is always rearranging itself to be the best possible version of his artistic mind. Check out our recent interview with Julian Sameshima here. instagram.com/goodjujuorbadjuju facebook.com/goodjujuorbadjuju #BUZZMUSIC

Fort Lauderdale’s own Southpaw is a new artist on the rise who is known for his refusal to commit to and maintain one genre. He displays musical versatility with his ability to create a natural flow with a combination of genres including Indie, Rock, Hip-Hop, and Pop. Southpaw has mastered everything from uplifting instrumentals to head-banging bass drops to nostalgic melodies and even mind-numbing rap verses. In addition, Southpaw often teams up with filmmakers to create a visual representation of his auditory art. On top of his consistently enamoring musical production, Southpaw is clever and witty with his lyrics. His songwriting tends to address inner battles that many people are familiar with – but refuse to talk about. By bringing these struggles to light, Southpaw is holding out a hand to his listeners with a gentle invitation to their own introspection. One of his recent messages encouraged the listener to avoid taking the ‘safe path,’ and focus on taking the path they want to take. Check out our recent interview with Southpaw here. instagram.com/southpaw.music facebook.com/southpaw1994 #BUZZMUSIC

Gina Falcone is an R&B Singer and Songwriter who is simply bursting with soul. Her music style combines the classic essence of the old-fashioned soul with the spunky ferocity of new-age R&B. To accompany her groovy beats and melodic soundscapes, Gina’s passion is contagious in her vocals. Gina has made it to this point through nothing but hard work and determination, and her desire to grow as an artist never fades. Her musical optimism for the future ensures that her sound will always remain unique as it evolves with the times. To add more flavors of originality, Gina Falcone likes to collaborate with other artists like Dreci for a fresh sound. Lyrically, Gina Falcone often shapes her songwriting to highlight relevant social issues within society. She uses her platform as an artist to spread an empowering message about self-confidence and self-worth. With the belief that creativity will always heal, Gina Falcone is not letting anything stop her as she continues to push forward as an artist and release more authentic tracks. Check out our recent interview with Gina Falcone here. instagram.com/gina_falcone twitter.com/gina_falcone #BUZZMUSIC

Seth Ford is the Hollywood actor turned soft-crooning songster based in Los Angeles that swells over his acoustic guitar with an enamoring glow. He's been known to captivate with his relatable lyrics and blithe hued sonics, and with his latest release titled "The Road," the young-budding artist sways over a ballad of his softly strummed guitar, a decedent piano accompaniment, and the distant swells of orchestrated strings. Imagine what it feels like to be serenaded by the infatuating saturation of someone who is oozing with sentimental reminiscence. That's what you get on "The Road." It's a Springsteen-vibed excursion through a harmonious melody that builds on top of each new acquainted earthy sonic tone, whether from our singer's subtle rasp, the dynamic movements of the strings in the backdrops of the mix, or the vintage-sounding drums. Seth Ford sings with the uprise of someone who's accepted that they still haven't found what they're looking for. As his tale develops and stews over his productions slow-paced wager, it's incredibly hard not to get the top-line melody stuck our heads as we bend and wave smoothly over the comforting sounds found in Seth Ford's "The Road." Hello Seth, thank you for being with us at BuzzMusic, it's a pleasure. Can you tell us what sparked your hunger for the spotlight at an early age when you were still growing up in your grandparent's home in Delaware? Well, as long as I can remember, I used to always act out and 'perform' for my family. From lip singing old standards or rocking out to whatever music or song I was into at the time. But I would also act out alongside movies! I'd pick a character I loved, find whatever clothing I could find to look like them, and act out the whole movie with costume changes and all. I was something else as a kid. But it was always in me to perform. And gratefully, my family was always supportive. Can you think of any specific influencers who might have driven your infatuation? Oh, there are plenty. The Beatles were huge. They were the ones who made me seriously pick up instruments and learn how to play. But Springsteen was my messiah. When I fell into his music, it changed me profoundly. His sound, production, and songwriting made me get insanely serious about my craft. But there were plenty of other young influences: Meat Loaf, The Eagles, Bob Segar, Journey, Elvis, Kip Moore. Even Andrew Lloyd Webber influenced me Why do you believe Theatre and Acting took hold of your immediate career path before Music did, and if you could go back in time, would you have made a different move related to that outcome? I wouldn't change anything. Both have always been interconnected to me. It was simply about entertaining and performing. That's what I loved and felt at home doing. In both music and acting, you're channeling something. Some emotion, character, or moment. You're escaping this world into something else. And if you're lucky enough, you're able to take the audience with you. It's an extremely magical thing. That's what I loved and always will love to do. What's been the most enlightening experience surrounding your time spent in Nashville, and which studios were you hunkering down in while recording and expanding your production knowledge? The business has been the, most enlightening! Especially in Nashville. It's a music factory there. That city breathes music 24/7. Hanging in these studios, it's no joke. These producers, engineers, and session players are churning out music at such a rapid and high-quality rate, it's absolutely amazing to witness. Spending some time around these places, you have to be a sponge to it all. Otherwise, you're robbing yourself of so much knowledge. If you could impart some words to, your audience on their journey through "The Road" to enhance their experience of the Music or concept of its anecdote, what would they be? Well, It would be to simply take on the journey. Because I believe we are all on the run too, or, from something. To a better future, we imagine, or from a rocky past, we can't get far enough away from. But it's not about just reaching that destination. Because we never really reach it. It's the journey on the road that we find our trials and triumphs. Moments of bliss and of heartbreak. Defeats and victories. Love and loss. That's the good stuff. We all have them. Those experiences you take with you. And when you punch in your card and tally it all up, it's all that stuff you encountered on that winding road that gives your life its meaning. instagram.com/sethfordmusic sethford.net #BUZZMUSIC