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Preethatrapper, or more popularly known as the Big Prizzle is an emerging rap star whose music is making waves across the world. Born in Sacramento, California, the budding talent moved to Lincoln, Nebraska where he became hugely popular as a music sensation of his chosen genre. Today, Preethatrapper is a renowned name in the Mid-West Hip Hop music scene with strong associations with most of the leading record labels, numerous sold-out shows, and a large number of crisp and incisive rap tracks to keep his listeners on the toes. Taking his larger-than-life persona to the likes of his six-track EP, ‘Traptivities,’ we’re fixated with the introductory single that graces the airwaves. “Countin’ Paper,” manages to immediately set an established tone with the high octane performance power of Preethatrapper existent. Through vocal layers that simmer in a pot of heated musicality, we experience a newfound dimension that hails from each icy cadence dripping in his rhyme schemes. Attacking the beat in a way that has his prevalent tone on display, we appreciate the ease of the laid-back conviction he uses during the downtempo moments, to fill out the soundscape. For a statement single that carries the weight of the project on its shoulders, Preethatrapper has it down pat. We can’t find a single flaw with how he exudes his unmatched swagger, all while showcasing witty bars such as, ‘Got bread like the food I grub on that sh*t.’ Living up to, and exceeding the expectations we had going into “Countin’ Paper,” Preethatrapper has us on the hook of his intoxicating bops as he delves into all trademarks of a certified hit. As we loop this song on replay, we tap into all the confidence that drips from a record of this caliber. Welcome to BuzzMusic Preethatrapper, and congratulations on the release of, “Countin’ Paper,” and the entire ‘Traptivities,’ Ep for that matter. What inspired you to let this single introduce this body of work to your audience? It’s a song that I’ve been wanting to release for a few months now. I was trying to find someone else to hop on it with me, but I couldn’t find the right sound from anybody. I love how catchy it is and since it’s the only track without a feature (unlike any other track on the project) I figured I’d let it be the first one to showcase what I can do on my own. When creating a highly energetic song such as “Countin’ Paper,” what does your typical creative process look like? Did you follow this through the creation of the whole EP? Well, I wanted this capsule to be one that I can put out with various artists and friends of mine since we cook up the fire and I haven’t done that yet until now. But for this song in particular, I was working on it for a few weeks. Adding certain things, taking certain things out. When I felt like it was to a point where I could say it was finished. I finally was ready to let the world hear it. What are you hoping your listeners can take away from a song of this caliber? What has the response been like already? I want people to hear it and be inspired to go hustle and make some money. But most importantly, I wanted people to hear it and just have fun jamming out to it. The response has been crazy so far. Most people say it’s their favorite song on the project. Experiencing an extensive amount of moments through your journey this far, what happens to be your proudest one pertaining to your artistry? My proudest moments are the ones when the fans tell me they are inspired by my music and my grind. What's next for you? I have some pretty big gigs booked in the upcoming months, one is in the biggest arena in my city. So I’m getting ready for that. Also, I’m getting ready to release 3 collaborative projects with some pretty dope artists. After that, I will be working on my first album with all original in-house production. So I’m pretty excited about that. Stay tuned. Instagram Facebook

Hailing from the Greater Toronto Area, Sluhhazl incorporates a myriad of influences into the music that he creates. His primary sound and aesthetic are focused on the emerging hyper trap, hyper pop, rage music, emo trap, and goth trap sub-genres, all while believing that this is the direction Hip-hop is pedaling toward. All while using music to capture and express the best and worst sides of himself, Sluhhazl aims to share his spirit, consciousness, and imagination with people through these musical expressions. Taking us through a guided tour of his atmospheric essence, Sluhhazl delivers us the melodically charged single, “f33ling.” With instrumentation that fuses together a medley of refreshing sounds in the innovative wave of Hip-hop, Sluhhazl’s unique vocal performance rides the beat in a way that brings out the best of the musical foundation. He is a master of emphasizing his story in a way that has you fully committed to the vividly forward lyrics reflecting on his own personal experience. Using “f33ling,” as an outlet for the way he lyrically attacks a track, the dynamic range in this song stands out on a whole other dimension. We immediately get taken into this underworld of vivacious hues and get dipped in a boosted overflow of what remains in the foreground of Sluhhazl’s mind. There’s an elusively mysterious manner in which he approaches his craft, and although he continues to share his thoughts and emotions in order to relate to listeners, we’re still left wanting to know more about him as an artist. Latching onto the high-frequency vibrations that Sluhhazl offers up, “f33ling,” has us doing exactly that in the illuminated showcase of authentic charisma that we get to feast on. Welcome to BuzzMusic, Sluhhazl, and congratulations on your latest release for “f33ling.” With such a broad spectrum of genres that you tap into, how was it that you came to discover your irrefutable sound? Thank you. I look for the link. There is something, in essence, a fundamental element that runs common amongst all the songs by artists that most influence me, and therefore my sound. It is that energy that I have found most resonates with me. It's difficult to fully articulate exactly what it is, but it's something of a blend of a childishly playful 'forever young' sound, and a nihilistic + cynical 'dark heart' sound. The former is somewhat of an antidote to the latter; the two clash but also complement each other harmoniously, and I think the sound captured in 'f33ling' is a product of that interaction. In your own words, what does “f33ling,” mean to you as the mastermind behind this piece? What inspired the creation of this track? The f33ling. It was a feeling, but a different kind of feeling. The track came from a place of pain, tbh. The creation was inspired by experiences I've had with strippers & hoes, combined with the emotional turmoil I felt from being in a bad place with someone and something I love. I have a problem; I deal with my pain through humor. It's led me to have a peculiar and depraved sense of humor, but playfulness is my greatest antidote and crutch to the poison that pain often fills me with. I think it's exactly that that one hears on this track. With musical influences such as The Cure, Young Thug/YSL, Of Mice and Men, Lil Peep, The Doors, Circa Survive, and XXXTentacion, to name a few, how do you allow their artistry to speak into the music that you make? They're all dark; they're playful; they're emotional; they're youthful; they're untamed; almost all of them were/are very heavy on aesthetics too. They embodied their music with their physical form, in the way that they moved, danced, existed; in their mannerisms, in the content of their videos, etc. Their artistry speaks into the music because their art is etched into me. Music goes deep with me, deeper than I even like. It's uncomfortable, but I probably wouldn't want it any other way. When I make something I like, it's undeniable--you'll hear that element of commonality if you peep behind the shadows, that commonality that binds them all with each other in my music, and binds me to them. Could you please share a glimpse into how your headspace from the time of creating “f33ling” has changed and/or remained the same to this very moment? The headspace has remained the same, I still feel the same, and that energy is still dominant in my psyche. There are nuances of course; music for myself comes from the moment. I just follow my ear and instinct, and freestyle, and that's how all my songs begin. That being said, the essence will remain the same...I am who I am after all. Instagram

Soaring in from Massachusetts, the alternative punk-rock foursome Canon Hill releases a soulful and anthemic single with their latest release, "Hotel Belfar." Formed in 2013 with founding members Ben Hayden and Logan Tichnor, Canon Hill later expanded with help from guitarist/vocalist Noah Pelty and bassist Gabe Duff. After releasing various singles and projects, Canon Hill landed themselves many high-profile gigs such as the famed Beachcomber in Wellfleet, MA, and the TD Bank Summer Concert Series. Getting to the goods, Canon Hill recently released their whaling latest single, "Hotel Belfar", which features heavy guitars and addictive melodies. "Hotel Belfar" is said to tease the band's forthcoming sophomore album, 'Rats & Cars,' slated to release in early August 2021. Diving headfirst into the single, "Hotel Belfar," we're met with a crisp drum arrangement and a whaling electric guitar. Once the beat drops and the entire instrumental makes its hefty appearance alongside electrifying synths, thumping bass licks, and scorching hot rhythm guitar riffs, Canon Hill later falls into the verse with Ben Hayden and Noah Pelty's dual vocal stylings that drench us in power and heat. As they continue grooving through this dynamic single, Canon Hill moves from a light-hearted verse with soothing acoustic guitars and into the sweltering hook, blasting us with nothing but grit, rhythm, and soul. We can feel the sonic fire of this single as Canon Hill melts our speakers from beginning to the end of this exhilarating and stimulating tune. Don't miss out on the enlivening experience of Canon Hill's latest single, "Hotel Belfar," and prepare your ears for the band's forthcoming sophomore album, 'Rats & Cars,' this August. Find "Hotel Belfar" on all digital streaming platforms. Welcome to BuzzMusic, Canon Hill. We adore the passion and power of your latest single, "Hotel Belfar." What inspired the creation of this powerhouse and dynamic single? Thanks! For Hotel Belfar we wanted to throw everything we had into making a stadium-sized song. We created the driving riff of the song using a synth, which was a sound we hadn’t experimented with as a band before. We all felt more confident with our songwriting and wanted to challenge ourselves. Who wrote the punchy lyricism for your single, "Hotel Belfar?" Do you usually allocate a specific member or two to write your songs? Noah wrote the first verse and chorus, which gave the song its rebellious feel. Logan followed that up with the second verse and the bridge. Logan and Noah are typically the “lyricists in chief” for the band. Even on the songs sung by just one of us, the lyrics are always a collaboration. Could you break down your band's creative process for "Hotel Belfar?" What was the studio scene like when dividing and sharing the song's instrumental arrangements? We inadvertently started writing “Hotel Belfar” in the summer of 2018, right after we released our first record. Gabe, our bass player, was messing around with a synth and came up with the main riff for the song. Then, when we were writing the material for our new record this past year, we rediscovered the original instrumental demo. After the melody and lyrics were written, Gabe tracked the synth and bass, and we layered Ben’s drums over that! Noah played a baritone guitar to give the track a heavier feel, while logan stuck with his telecaster. The challenging part was how distanced we all were due to the pandemic! We had to record the bass, synth, and drums up north where Ben and Gabe were, and then recorded the guitars and vocals in Nashville! What should your audience expect from your forthcoming sophomore album, 'Rats & Cars?' How does "Hotel Belfar" tease the upcoming project? Compared to our first album, which had a much more raw sound, “Rats & Cars” has a bit more production flare. It’s still very much a rock album, but with significant pop, Americana, and hip hop influences. We experimented with instrumentation, using synthesizers and drum machines to reinforce and embellish our analog foundation. “Hotel Belfar” is a great example of that. This record contains the heaviest songs we’ve written to date, as well as the lightest, most pop-influenced songs we’ve done. It all felt like a natural evolution, none of it was forced. We just look forward to continuing to grow and evolve as a band! What's your favorite release of this year, from an independent artist you admire? We actually feature an independent artist on this record! A really talented rapper named Lhska. We all admired his work and were thrilled to bring him on board for this project. Instagram Facebook

The Nashville-based genre-blending quartet Say Kids makes their great return with a conceptual and highly anticipated single entitled "Honeydew." Formed in 2018 by frontman Peyton Smith and guitarist William Cheatham, Say Kids later expanded with help from bassist Oliver Finch and drummer Matt Gay. Say Kids quickly became a sought-after band around Nashville's live music scene through their funk-infused rock sound and high-energy performances. Back and better than ever with their latest single, "Honeydew," the track brings listeners into a groovy and lively atmosphere while Say Kids also touch on meaningful and relatable lyricism. "I wanted to capture the fear one gets when you don't hear from someone you care about; to signify the ignorance we sometimes choose to blissfully live in despite the intensity or danger of the moment/circumstance," says frontman Peyton Smith. Listening to "Honeydew," the venture begins with an incredibly groovy and funky ode to rock music through William Cheatham's fluid electric guitar, Oliver Finch's thumping bass licks, and Matt Gay's rhythmic drum patterns. As frontman Peyton Smith makes his way in, we can't help but hear vocal and sonic similarities to that of Maroon 5, as Say Kids drench our speakers in incredibly melodic and infectious tones and rhythm. Reaching the punchy hook, Say Kids soak our speakers in brightly layered vocal harmonies and their crisp instrumentation that gets us up and grooving. While Smith touches on the heavy feeling of paranoia when not hearing back from someone special, he leads us towards the outro alongside the entire band's scorching hot instrumentals without a dull moment. Feed your soul with some "Honeydew" through Say Kids' recent single, available now on all digital streaming platforms. Welcome to BuzzMusic, Say Kids. We're thoroughly impressed with the groove and rhythm you've placed into your recent single, "Honeydew." Why did you choose to release this song as your great comeback? We ultimately chose this song to be the first released because it sends the message that we are back and ready to rock. Going a year without playing a show or releasing a single song was hard for us. We wanted to give this song first to our fans because it say’s. “Don’t worry…you’ll be hearing much more from us shortly.” What inspired the relatable lyrical content within your single, "Honeydew?” Was this song inspired by not hearing from someone during the course of the pandemic? “Honeydew” was inspired by the fear one gets when not hearing from someone, or anyone for that matter. It is unsettling at times being in such an amazing music scene. This was our way of cutting through all the noise and breaking ground with a song we see as a subtle heavy hitter. How did your band execute your creative process for "Honeydew?” What was the studio scene like when arranging and formulating your instrumentation? We always rehearse a song until we are in the minutia. It is a collaborative effort to take these songs and push them to the limit. This is what makes us so dangerous when we walk into the studio. We know exactly what we want and go in there to do the absolute best we can. We record everything live-to-track with our great friend and producer, Adam Lochemes. He brings us to the edge of our ideas and allows us to take them off the riff. Experimentation is the fun part because you have to be open to what sounds and ultimately feels good. Seeing that "Honeydew" is your first release in over a year, does the single mark any growth within your sound? Has your band undergone a few changes or shifts during the pandemic? It absolutely marks a growth point. We made it to the other side of the Pandemic, and we are ready to go. We missed out on what would have been our first tour, but we stuck together. Over a year of prolonged silence is over. We have an album in the back pocket, and much more in store for our fans. Instagram Facebook

Serenading us from her home in Texas, the pop artist and singer-songwriter Paris Taylor releases her conceptual sophomore single, "Story of a Killer." With a voice that's often compared to Amy Lee of Evanescence, Paris Taylor has no problem gaining traction and recognition with merely two singles under her belt. Taylor is currently gearing up to release her debut EP, 'Insight,' produced by Eric Johnson of NI Music Group and Danny Jay of Jettsetter Music Group. Now releasing her sophomore single, "Story of a Killer," Paris Taylor shines a bright light on the difficulties and tribulations she's faced, striving to help others with her sincere story. "'Story of a Killer' is about the struggles I faced being bullied and getting diagnosed with an autoimmune disease called Hashimoto's...I learned everyone has battles of their own, and it's okay not to feel okay," explained Taylor. Listening to the single, "Story of a Killer," the song gently opens with soothing acoustic guitar strokes, downtempo rim hits, a somber violin, and tender piano melodies. As Paris Taylor begins vocalizing her deepened emotions when in the midst of inner turmoil, she portrays an incredibly heartfelt and emotional lyrical landscape that leaves any listener pondering their own trials and tribulations. As Paris Taylor continues to sweep us off our feet with each breathy vocal and detailed lyric, the surrounding sonics begin to pick up with added strings that sonically serenade us with the utmost emotion and heart. Paris Taylor later leads us towards the introspective outro, portraying the sadness she felt when no one bothered to reach out and lend a helping hand. Find a piece of yourself in Paris Taylor's emotional sophomore single, "Story of a Killer," now available on all digital streaming platforms. Welcome to BuzzMusic, Paris Taylor, and congratulations on the release of your soothing sophomore single, "Story of a Killer." What inspired the intense metaphor of a killer for this emotional single? What inspired the intense metaphor of a killer was the symptoms I experienced from Hashimoto's and also the inner struggle of my doubts and insecurities from being bullied. Everyone has their own demons to battle within themselves. Did you write your lyricism yourself for "Story of a Killer?" Was this a challenging process, seeing that the song is incredibly emotional, vulnerable, and personal? Yes, I wrote the lyrics for Story of A Killer. It was difficult at first to work through my anxiety, but also it was great therapy. It's not easy sharing my vulnerability and inner struggles, but the only way through it is to face it. Did you have producers Eric Johnson and Danny Jay help out with the production of your single, "Story of a Killer?" Who helped you out with this song's production/sonics? Eric Johnson and Danny Jay created the amazing music for Story of A Killer. I'm so grateful to get to work with them. They are amazing at helping me bring to life my music. Should we anticipate more emotional and vulnerable songs within your forthcoming EP, 'Insight?' What sort of themes or concepts do you plan to bring to the table? Yes, my songs for my EP "Insight" will all be emotional and vulnerable. I plan on continuing to share my thoughts and perspective from experiences I've had. I want my fans to know I won't hide behind lighthearted lyrics to fit an image. I will write what I know. I'm sure I'll share some happier times in my music when I feel it's the right time. Instagram

The London-based alt-pop artist and singer-songwriter OLI pays tribute to racing minds everywhere with her lush and introspective single, "Think About It." Since her debut last year, OLI's music has made its way to various audiences through her ethereal and lush soundscapes complemented by her expansive and ingenious visual perspectives. Inspired by acts like Sade, Dion Warwick, Stereophonics, Supergrass, Pearl Jam, and Pink Floyd, OLI found herself receiving many creative opportunities, most notably working with legendary producer Beeny D. Through its mid-tempo pop beats and soothing sonic atmosphere, "Think About It" is bound to land in the heart of any listener. As OLI reveals her inner thoughts during the dark night while offering an ode to those whose minds are perpetually spinning, she ultimately graces listeners with a sense of relief and acceptance. Listening to "Think About It," we're met with ghostly background vocals and gentle drum breaks. As OLI begins vocalizing over a serene piano melody and a thumping kick, she later reminds listeners of the hardships that linger in her mind time and time again. While the instrumentation picks up around the hook, OLI offers listeners a breath of fresh air as she begins to accept her continuous train of thought. Diving deeper into OLI's lyricism, she expands on appreciative moments where family and friends were able to lend a shoulder to cry on and the sane advice she sought. With a soothing and groovy brass addition on the bridge, the song makes its way to the outro while OLI leaves listeners with a heartfelt tribute to the racing mind. Don't be afraid to "Think About It" with OLI's latest single, now available on all streaming platforms. Welcome to BuzzMusic, OLI. We highly appreciate the relatable and needed words within your recent single, "Think About It." What inspired you to write a song based on the racing mind? Thank you! I remember back in Feb 2020 there was just constant awful news on the tv and on social media. I ended up thinking a lot about how terrible things can be and how lucky I clearly was. It was a weird back and forth between sympathy and guilt. I wanted the lyrics to show that there are times when you will be overwhelmed in your own mind and no matter how often you tell yourself you aren’t thinking about it, you probably are. What was it like working with Benny D for "Think About It?" How did you create the sonics to amplify the song's emotion? I love working with Benny, not only is he ridiculously talented but he doesn’t dominate the writing process at all, allowing you to genuinely create something you love. Sonically we tried to aim for a specific feeling with “Think About It”. I wanted it to seem dreamy-like someone was just talking to themselves internally. But it also had to keep moving and building throughout. Moody brass and synth sounds, plus a lot of vocal layering too. I wanted there to be little bits you’d have to pay attention to. Why did you want to spice up the sonics with a soulful brass addition around the bridge within "Think About It?" I really didn’t want to saturate the song with my voice. The instrumental is beautiful, and I wanted to hear more of it! Taking the listener away from the main song for a moment. We played around with some different options, but the brass paired with the light piano riff was perfect. How has the London music scene inspired you and helped mold your brand? Do you feel that your music would have sounded different if you had stayed in New Jersey? I think the music scene in London is extremely special, a lot of the time artists are genuinely encouraging other artists. You end up writing with people in different genres and finding out what you want to sound like and represent. My music style and taste are heavily influenced by the people I’ve been around in London, I imagine New Jersey would have been much more isolated. There’s just so much choice in London when it comes to music. It’s inspiring. What's your favorite release of 2021, from an independent artist you admire? Laurel’s Song “Appetite” must be my favorite release. The lyrics were abrasive but also seriously eloquent. The video alone was impressive and cool. I like an artist that feels very sure of what they are and what their style is. Laurel’s music has always seemed that way to me. Instagram Facebook

18-year-old Hasitha Guhan is emerging on the scene as an up-and-coming Pop artist. With her main passions locked in the realm of singing and songwriting, she takes her virtuoso direction towards her artistry. As a South Asian artist, she wants to share her culture with the world by breaking into the mainstream industry of music. Growing up and to this day, she doesn't see many people who she can relate to culturally in mainstream media, let alone music. Hasitha Guhan aims to be that image in the media for South Asians across the world. Commencing her latest release, “Closure” with an emotive over pour of prevailing timbres, Hasitha Guhan grasps our full attention in mere moments. There’s entrancing power that sweeps our minds as the relatability that trickles from Hasitha Guhan’s lyrical motifs paint imagery rich in a genuine narrative experience. “Closure” blends the subtlety of delicate instrumentation, and the dazzling conveyance of atmospheric harmonies in order to form a grand spectrum of artistic malleability. With the nature of Hasitha Guhan’s inimitable croons being a statement that we admire the most about this record, she holds an empowering embrace with the way she performs words such as, ‘Damn all I need is a bit of closure, closure. You know what, I don’t need you.’ Depicting a storyline that touches on the closure she has achieved as she comes to her wit's end in a particular relationship, we learn about the resilience it takes for Hasitha Guhan to make the choice of walking away with her head held high. Taking in the brilliance of something that we can all relate to, it takes a unique type of talent to pull your audience in and make them know where you stand at this moment of your journey. Congratulations on the release of your latest single, “Closure,” and welcome to BuzzMusic, Hasitha. Was there a particular moment or story that inspired you to take this concept and bring it to life musically? “Closure” was actually written about a crush ghosting me on text. I was hurt at the moment and felt like I needed closure. So, I did what I do to cope, and wrote a song! This song was also developed between months of writing and tweaking. I had no idea what direction I wanted to take for a while until it just felt right. I learned that simple is better. Just like life, sometimes. With you dabbling into an expression of vulnerability in the lyrics performed, did you find that the subject matter being written about was fairly easy to get out, or perhaps a bit more difficult? At the moment, it was quite easy to write down. It was my feelings flowing down onto my pink songbook. I just had all these emotions inside of me, and it felt great to write them down. But, the thought of actually releasing it, and having people I know listening to it, made my stomach turn for a while. This was mainly because the situation I wrote about was so fresh, and I myself needed more time to heal and to give myself some needed closure. But, now, I feel more than ready to share this song. You keep such a composed perspective although you allow us to relate to signs of hurt and loss in “Closure.” Comparing your headspace from the moment you wrote this song to this present moment, how would you say that you’ve grown mentally? This song does show signs of hurt when I wrote it because I was most definitely hurt. But, at the same time, it was written for me to get over the situation as well. I think the audience can definitely relate to the crossover of those two topics in this song. I wrote “Closure” when I was 15 years old, and now I’m 18. So, I have definitely come a long way since then. I’ve honestly just had so much time to reflect on what happened between now and then, and I can say that I’m over it. Before this event, I searched for love on the outside, which is probably why I was so hurt in the first place. After this happened I said to myself, “You’re not letting anyone treat you like that and have that take a toll on you.” I went on a journey of self-love. It wasn’t easy to find (actually painful in the process), but I definitely feel more secure in myself now. What is your mission statement as an artist? What are you hoping that your audience can take away from “Closure?" When I wrote “Closure,” I was lost. It took a while to let go of my doubts and hesitations surrounding my music. This song is actually not just about a crush not giving me closure, it is about my life not going the way I expected. I kept wanting other things, not realizing that my experiences were enough. I want to give the listeners a pat on the back to say, "It will all get better, even though it feels like you need closure at the moment. You are still better off without them! (Whether it be a person, place, situation, etc.) You’re doing amazing, keep going.” What can listeners anticipate to hear next from you? I am working on my second single right now, and it is much more upbeat and dancy compared to “Closure.” I have moved on to a different stage of my life right now, and hopefully, the new music will reflect that. I’m thankful for music. It makes you embrace the not-so-good and the good in your life. You can expect a Funk Dance Pop vibe from my next single. It is also more experimental than “Closure.” I’m very excited. Instagram Artist Website

Hailing from Nashville, TN, the four-piece alternative rock band Modern. The Aesthetic releases a wave of emotion with their recent single, "Crashing." Comprised of Michael Lindo, Corey England, Meghan Garrison, and Ben Kennett, the four artists/musicians come from various musical backgrounds. As they blend and indulge in sounds like blues, r&b, pop, and hard rock, Modern. The Aesthetic spent most of 2019-2021 fine-tuning their sound and preparing for a solid introduction. Currently working on their forthcoming EP, Modern. The Aesthetic is excited to bring listeners into the romantic atmosphere of their latest stimulating single, "Crashing." As they drench us in passion from top to bottom, Modern. The Aesthetic brings us a bounty of emotion to reflect on with help from their picturesque and relatable lyricism. Listening to "Crashing," the song opens with gentle samples of waves crashing on a beachy shore. As Michael Lindo begins making his sweet vocal appearance alongside his tender and fluid electric guitar, Ben Kennett later transitions the atmosphere into this exhilarating and romantic soundscape with help from his textured drum breaks. As Corey England's thumping bassline begins plucking its way to our hearts, Meghan Garrison later makes her way in with soothing keyboard melodies that leave us feeling as lifted as ever. Regarding the song's lyricism, Lindo makes the experience all the more stimulating through his words that expand on having his heart torn to pieces while seeking someone real to spend the rest of his days with. As the song comes to a close, Modern. The Aesthetic drives the outro with nothing but passion and excitement, leaving us feeling refreshed and revitalized. Don't miss out on the enthralling experience of Modern. The Aesthetic's latest single, "Crashing," and keep your eyes and ears peeled for further announcements regarding the band's forthcoming EP later this year. Welcome to BuzzMusic, Modern. The Aesthetic. We adore the heartfelt and romantic venture you've taken us on with your recent single, "Crashing." What inspired your band to create this emotional and passionate single? Thanks so much for having us! This is Michael here. This tune in particular is one that was already pretty fleshed out before even the formation of the band. When I started college, I took a long break from writing. I was still kind of finding my way, being on my own, playing and jamming with other people, soul searching type stuff. I was living in Boston at the time and was really digging into the Arctic Monkeys catalog. I fell in love with the title track off of their record, Suck it and See. I still love that song. I really loved the simple, shimmering, reverberated guitars and wanted to try experimenting with that sound and creating something of my own. It was the first song I had written after taking that long break. I had the progression and the arrangement figured out but didn’t really have any lyrics outside of the first line you hear in the intro. I wouldn’t end up finishing the lyrics until I moved to Nashville a few years later after I had lived life a bit more. Seeing that your band is a four-piece, how did you tackle the instrumental creative process for "Crashing?" Was this song born from a jam session, or were you more strategic with this process? The instrumental really came together progressively as the band started to form. When I moved to Nashville, I reunited with Ben, our drummer, who is one of my best friends from high school and he was the drummer in my 2nd high school band project, MBL Trio. I played him the tune and we worked out a demo and the drum part and then Meghan and Corey came on board and took it to the next level. Corey is really good at finding that driving energy a song needs and channeling that into his bass part and locking in with the drums. Meghan really pulls everything together with the keys and has a great ear for vocal parts and melody. It’s a very guitar-driven tune so we had to spend some time experimenting with keyboards and synthesizers we had and at our friend's studio until we found a sound we were happy with. This song was a bit of a journey to create and we are very happy with how it turned out. Who tackled the romantic and heartfelt lyric writing for "Crashing?" What theme or message did you want to convey to your audience? Crashing is a song that means something different to me as time goes on. Earlier it was about this relationship I had that was overall great from beginning to end and just reflecting on the ups and downs of it. It was at the forefront of my mind when I was finishing the lyrics. I think now it’s about how brief love can be but that doesn’t mean that relationship was a failure. Sometimes it’s a learning experience and other times it's just a fun enjoyable experience you have with another person. I’m hoping people will be able to find something in there they can connect with and make their own meaning out of. I tend to write a lot of the lyrics in a kind of stream of consciousness way at first and then as I think about it more and decide which lines I like and which I don’t the message starts to form on its own. A lot of the songs are like that. Honestly, a lot of the writing is an exercise for me in trying to process and describe my own feelings. Trying to be more honest and forthcoming with things is something I’m actively trying to practice and writing is one of the ways that helps me do that. Should we expect to hear "Crashing" on your forthcoming EP? Or do you plan to take the EP in a different direction? Crashing will definitely be on the EP along with our first single, Let You Down and a few more tunes we are excited to share. There will be some rock, some soul, some weird psychedelic stuff. We are stoked to put it out for the world to hear soon. Our future releases we are planning on going in a bunch of different directions. What can listeners anticipate to hear next from you? Aside from the EP, which we are working on getting out in the Fall, we’ve got a few video projects in the works currently and we’ve already kind of mapped out this big trilogy style record that we are working on and hoping to start dropping some of those tracks next year. The most exciting thing about the band for us was that we really wanted to take it in a bunch of sonic directions. The next record we are planning will be nothing like the current EP. We all come from playing and enjoying a lot of different styles of music and so it’s exciting to explore all of these other styles with each of us kind of guiding each other on what we are most familiar with. We are just getting started and really excited to see how far we can go. Instagram Facebook

Emily Curtis is a soulful singer-songwriter with a southern flair. The artist began making waves with her guitar and smooth vocals in the Charleston, SC music scene in 2015 and has since released her own music including a crowd-funded EP and a steady stream of singles. At the end of the day, Emily Curtis hopes to lead people to a place of wholeness and belonging feeling empowered to "Leave a Mark" using the unique gifts and strengths that each person possesses. As Emily Curtis takes listeners to explore the dreamscape production of her latest single “Sandcastles,” we’re swept away into a blissful utopia that submerges us in hues of nostalgia. Collaborating with the talented producer Micah Nichols, the duo does an exceptional job at allowing this track to heighten the senses of each listener, as "Sandcastles" elevates us to a newfound dimension of familiarity. Eloquently immersing us in the warmth of the acoustic guitar progressions, we feast upon the authentic methods that are unveiled as Emily Curtis connects with us on an interpersonal level. Her deep and prevailing timbres soar through the composition as you hang onto each word she gloriously performs from the heart. Poetically navigating through the songwriting attributes of Emily Curtis, the song’s narrative reminisces on the elegiac disparity between childhood and adulthood: creating for the joy and passion that comes alongside it, versus creating for success and social status. Applying a well-thought-out use of prominence on particular words she drives home, the moody atmosphere is highlighted through layers of frank vulnerability, as Emily Curtis shares a piece of her life with us. “Sandcastles,” takes you by the hand and eases you into everything you once knew, and are destined to find out in this crazy little thing called life. Congratulations on the release of the heartfelt single, “Sandcastles.” We love this acoustically driven ballad. With such a deep sense of your own self reflected in this record, how did you find the process of creating this song? This song was a long time coming for me. I knew the comparison between the lives we build and building temporary sandcastles was important and I wanted to get it right. I think having spent time away from the noise of normal life through covid, I was in a mental place that was really in tune with the reality that we can make plans and do a lot of work but holding too tightly to things that fade away is a dangerous gamble. The things we do, and the positions we hold shouldn't be what validates our existence. Being born is proof that you matter and add value. The song poured out pretty quickly under the intense extended circumstances of 2020. With a music video on the way, how does the video reflect the nature of “Sandcastles”? Are there any memorable moments that you experienced on set? The house, 20 South Battery, itself is obviously beautiful, but it was falling apart when Dr. Schaeffer found it. His mission became about preserving the stories and lives of the people who once lived and visited there and less about the glory of a pretty house. It took someone being passionate about something deeper to bring it back to life. I thought it was a perfect parallel. Just knowing how many historical moments and individuals were inside those same walls since 1848 reminds me that I am part of the story, not the main character. In a sense it's like being teammates with people from over a hundred years ago. What are you hoping that your audience can take away from the messaging in “Sandcastles”? I hope it helps to level the playing field of that unspoken social hierarchy people feel when they walk into a room full of strangers feeling unworthy or overlooked. All of us relate to the longing to achieve something. I hope people recognize the fragility of life and the things that distract us from real joy, and that they recognize the strength and beauty of the soul. I hope people see themselves as God's masterpieces, created on purpose, for a purpose. What is your mission statement as an artist? To point people to a place of wholeness and experience connection to other humans through lyrics that get to the heart of issues, and through living authentically on stage, online, and in my relationships. I hope my music brings the best out of people and gets them "unstuck" if they're feeling lost. What's next for you? Keep writing and writing and writing. It's a muscle that I have to be disciplined about training. Having a strong catalog of 20 more great songs is my goal. For every really good song, there are about 10 okay songs, so you do the math. Also, I'm getting deeper into the tv and sync world so I am hopeful that one or more of my songs will be placed and find a larger audience soon! Then maybe just maybe I can buy that townhouse in my hometown of Charleston that I've been saving up for. Instagram Facebook

Perfect Average is an active pop-punk band from Cagayan de Oro City, Philippines. Officially formed in 2017, this trio is comprised of frontman, Rinz Ares (vocals/guitar), Nichole Lecera (bassist), and Andrei Garcia (drums). Taking in the amplified energy that springs from their six-track EP, 'A Chance to Take,' we begin the journey with a passion-fueled anthem kicking the tempo of this project into high gear. “Never Ends,” progresses through your speakers with a sustaining blend of rhythm sure to have you tapping your fingers and toes. The dimensions of the musical elements at hand lead you into the peaks and valleys of this song’s narrative that delves into lyrical motifs such as, ‘Whatever trouble may assail, I will stand in your promise ‘cause it never fails.’ Bolstering themes of strength through the fast tempos and post-grunge ambiance, we’re hooked on what Perfect Average is bringing to the table. Playing into the melancholic sound of opulent guitar chords and colossal drum patterns, the additional sense of urgency transported in “Sweet Angel,” has us feeling this song more than we hear it. We admire the agility in which Rinz Ares’ vocal performance manages to sit on top of this mix, while still remaining fully blended into the production. Creating a sense of pressing undertones through the impact of each musical component, we find that the songwriting foundation hones in on a story forming structure as the estranged love that once was whole, has us grasping the emotion shed of “Sweet Angel.” It’s hard not to resist the resonated bassline courtesy of Nichole Lecera, as you get pulled into the infectious grooves of “Wish You’ll Be Mine.” There’s a vibrant escape laced into words such as, ‘Here I am tonight thinkin' of you. For all those craziest moments that we've been through.’ Following suit of the previous e, the way that Perfect Average ties the themes together is brilliant in how the soundscape is vastly different with the rapid chord transitions, and altered melodies. Through powerful verses and a mesmerizing hook that infiltrates our mind, we reach the halfway point of 'A Chance to Take,' with our expectations already being surpassed. Fourth on the tracklist, the prevailing vigor displayed in “Moving On,” sends us into overdrive. There’s a remarkable force field that showcases the band's ability to lavishly present the push and pull intensity weaved into the arrangements. I think what we love the most about “Moving On,” has to be the nostalgia that enticingly grabs a hold of our headspace and transports us back to the early 2000s. Perfect Average proves to us that they’re capable of remaining completely original with their modern, yet classic take on each song they convey; especially in a project format. “For You,” emphasizes the use of chugging guitar riffs and Andrei Garcia’s tightly executed drum patterns. Just when we thought that Perfect Average already gave us the cherry on top, the phenomenal utilization of distorted textures happens to bring out a side of their musicality that embraces the heavier side of Pop-Punk. Pairing that with heartfelt lyrics drenched in charismatic tenors, we get this fortified spirit hailing from “For You,” in a way that has us obsessed with the power chord transitions. As we come close to the end of 'A Chance to Take,' we’re thrilled to hear the various sides of Perfect Average that we get to engage with. The final song, which also moonlights as the title track on this EP has us accepting the dark undercurrents that roar through 'A Chance to Take.' We’re charged up by the victorious quintessence that reigns supreme in the slower-paced power ballad that leads us to the final moments of this body of work. The verses are spiked with the compelling timbres of Rinz Ares, as the minimalistic approach to the musical foundation has the harmonies illuminated at full blast. ‘Cause I believe the outcome sets apart from the things that only us can stand to prove out,’ are just some of the words that leave us with our thoughts fully provoked, and looking to grasp hold of the deeper meaning etched into the six songs provided. Allowing listeners to take what they will from the various messaging, and endless styling conveyed, Perfect Average has us reaching to put 'A Chance to Take,' on loop. Welcome to BuzzMusic, Perfect Average. Through this entire project, we end up fixating on various elements throughout each song. We love that feeling you provide us with! In your own words, what is the concept of ‘A Chance to Take?’ What does it mean to you? ‘A Chance To Take’ is a soul reminder that even under pressure and in doubt, God is always with us. It’s a reminder that every day there is always a chance or opportunity that we can take to live, hope, and aspire. It’s a song that encourages every listener to continue dreaming for the desires sets in one’s heart. It’s also a perfect example of someone taking a chance to rise high even in a situation that requires great effort. Could you please share a glimpse of what the creative process looked like when bringing ‘A Chance to Take,’ together? Combining every thought and feeling to make the song A Chance to Take into existence is not just mere writing and singing it along with composed rhythms. It comes along with experiencing to fail and succeed in life concerning music events. It’s not just a song that exists to produce but it’s more of a reflection of how I live my life with the passion for music that I believe God has given me. It’s like showing how I live the life I have right now through creating a song such as ‘A Chance to Take.’ Gearing up to release your 2021 album, which is soon to arrive on all streaming platforms, what are some similarities and differences you found throughout the creative process? ‘The Restart’ will be the 3rd EP. The album we’re now working out this whole year, In regard to the whole context of the project, is most likely a prequel of the 1st EP concept of 'A Chance To Take,' which more on focusing on a spiritual awakening aspect of an individual, and It could be a religious opinion, a factual narrative based on a sequence happenings around us, and it could be a downfall or an optimistic side of the story. As I presumed accordingly to my personal musical perception of how to understand the idea of the song, It is a vague argument when it comes to understanding its meaning ‘cause music itself is a representation of individuals interpretation. I might say the song was about suicide but I can’t change the fact that there will be another opinion based on a person’s lenses of interpretation. The restart project is for everyone who finds meaning in life and its purpose. Out of the six songs offered to us, do each of you happen to have one track that resonates with you more than the others? All of the songs I have are close to my heart as all of them were written and created whole-heartedly, however, there’s always one song that resonates with me the most and it’s the Never Ends song. It’s my first produced song and whenever it’s played, it reminds me of the first time I started to dream big and hopes big knowing that God is with me. The song is like God’s assurance or a divine contract from when I started to write songs and play music to an unending passion. What are you hoping that your audience takes away from the body of work? I aim to inspire the audience to live a positive life through my songs. Most of the songs I have are like the highlights of my life. It talks about my personal relationship with God, my mother, special someone, and my love of music, It’s about a spiritual journey through music. We might have differences, especially in music taste and preferences, I just hope you guys will listen to it and live your own story with us. Facebook Artist Website